,,MUSIC ,,BRAILLE ,,CODE #AIIG ,DEVELOPED UNDER THE ,SPONSORSHIP OF THE ,,BRAILLE ,,AUTHORITY ,OF ,,NORTH ,,AMERICA ,9 #E ,VOLUMES ,VOLUME #D ,BRAILLE ,PAGES P#A-P#D @& #BGC-CGB ,PRINT ,PAGES #BCA-CBD P#A ,,SPECIAL ,,SYMBOLS ,,US$ ,,9 ,,? ,,VOLUME 7P47 7PR9T7 7B47 7BRL7 ,5 ,NOTES 9 SMALL TYPE ,,3T5TS ,SEC;N ,PAGE ,,9/RU;TAL ,,& ,,VOCAL 73T47 #BD4 ,%ORT-,=M ,SCOR+ """"""""""""" #BCA #BE4 ,MUSIC =! ,A3ORDION """""""""" #BDC #BF4 ,OR*E/RAL ,SCORES """""""""""" #BDG ,! ,TRANSCRIP;N ( ,B& & ,OR*E/RAL ,"PS """""""""""""" #BFB #BG4 ,FIGUR$ ,BASS """""""""""""""" #BFI ,A4 ,HORIZONTAL ,=MAT """"""""""" #BFI ,B4 ,V]TICAL ,=MAT """""""""""""" #BGF ,,=MATS ,,( ,,KEYBO>D ,,MUSIC ,9TRODUC;N """""""""""""""""""""""" #BHC #BH4 ,ME?ODS ( ,PRES5T,N """""""""" #BHE ,B>-,OV]-,B> """""""""""""""""""" #BHE ,L9E-,OV]-,L9E """""""""""""""""" #BIG ,,APP5DIX #BI4 ,SEC;N-BY-,SEC;N """"""""""""" #CJA #CJ4 ,V]TICAL ,SCORE & ,B>-BY-,B> """""""""""""""""""" #CJG ,V]TICAL ,SCORE """"""""""""""""" #CJG ,B>-BY-,B> """""""""""""""""""""" #CJI P#C#CA4 ,SUB/ITU;N """"""""""""""""""" #CAE #CB4 ,! 8,NOTE-=-,NOTE0 ,ME?OD """" #CAG ,,MUSIC ,,BRL ,,CODE #BCA #AIIG #BD4 ,,%ORT,'-=M ,,SCOR+ 7,,AM]ICAN ,,/YLE7 7,TA# #BD7 #BD.A4 ,%ORT-=M SCOR+ IS A BRL ME?OD ( NOTAT+ *ORD SYMBOLS -POS$ ( LRS1 NUMB]S1 A3ID5TALS & O!R PR9T SYMBOLS4 ,? SY/EM USES LIT]>Y BRL OR -MON MUSIC SIGNS :]"E POSSI# R ?AN A SY/EM ( SPECIAL BRL "*S4 ,! *ORD SYMBOLS >E (T5 F.D 9 POPUL> & FOLK MUSIC 9 LIEU (1 OR 9 A4I;N TO1 AN A3OMPANI;T "P4 ,"! >E S"EAL -B9,NS ( ^WS1 *ORDS1 & MUSIC4 ,O3A.N,Y ! *ORDS >E %[N ) ^WS AL"O2 "S"TS !Y APPE> ) KEYBO>D MUSIC ONLY1 OR )A MELODY ONLY1 B 9 A L>GE MAJOR;Y ( CASES !Y O3UR ) ^WS &A MELODY4 ,X IS = ALL ^! TYPES ( PR9T SCORES T ! ME?OD DESCRIB$ 9 ,SEC;N #BD IS DESIGN$4 ,DIAGRAMS (T5 A3OMPANY ! *ORD SYMBOLS B >E N 9CLUD$ 9 ! TRANSCRIP;N4 ,IF REQUE/$1 H["E1 ! *ORD SYMBOLS US$ 9 A "PICUL> PIECE C 2 LI/$ #BD4 ,%ORT-,=M ,SCOR+ #BGCSEP>ATELY1 AC 6,P>4 #BC.CJ & A#BCA ,EXAMPLE #BC.CJ-A4 #BD.B4 ,! *ORD SYMBOLS >E BRLD 9 A 8FACSIMILE0 ME?OD1 I4E41 9 G5]AL1 SYMBOLS >E BRLD HORIZONT,Y1 UNSPAC$1 9 ! EXACT ORD] %[N 9 PR9T1 ) EXACT LR+1 CAPITALIZ,N1 ETC4 ,"PICUL> DIREC;NS & EXCEP;NS 6? G5]AL RULE >E GIV5 9 ! FOLL[+ SIX P>AGRAPHS & >E ILLU/RAT$ 9 BRL & PR9T 9 ,TA# #BD4 #BD.C4 ,ALL LIT]>Y SYMBOLS >E TRANSCRIB$ 9 LIT]>Y BRL4 ,3TRAC;NS & LR SIGNS >E N EMPLOY$4 ,CAPITALIZ,N FOLL[S ! PR9T4 ,ALL P]IODS >E OMITT$4 #BD.D4 ,MUSIC SIGNS >E US$ = A3ID5TALS & >E BRLD 9 ! ORD] %[N 9 ! PR9T COPY4 #BD.E4 ,SIGNS = M9US ,'- ;2& PLUS ,'+ ;2>E BRLD 9 ! ORD] %[N 9 ! PR9T COPY4 #BD.F4 ,A 8DROPP$0 ;D IS US$ =! SMALL CIRCLE1 &A 8DROPP$0 ;D FOLL[$ 0A DOT #C =! CIRCLE )A SLA% "? X4 ,!Y REPRES5T RESPECTIVELY1 DIM9I%$ & HALF-DIM9I%$4 ,H["E1 IF ! PR9T %[S ! A2REVI,N 8DIM01 X IS WRITT5 \ Z %[N4 #BD.G4 7#AA-IG7 ,! NUMB] SIGN IS BRLD2F E NUMB]4 ,9 A V]TICAL B#BCA >RANGE;T ( NUMB]S1 ! .L[] NUMB] IS BRLD F/2 9 A HORIZONTAL >RANGE;T1 ! PR9T COPY IS FOLL[$4 ,SEE ,EXAMPLE #BD.AD-A4 ------------------------------------#BCB #BD.H4 ,A SLA% L9E 2T SYMBOLS 7Z 9 ,G/,D7 IS TRANSCRIB$ Z DOTS #CD1 & 9DICATES T ! LR FOLL[+ ! L9E REPRES5TS ! BASS NOTE (! *ORD4 ,? BRL PROC$URE IS AL US$ 69DICATE ! BASS NOTE :5 ! 9=M,N IS WRITT5 \ 9 FULL4 7,SEE ,EXAMPLE #BD.AC.B-A47 #BD.I4 ,": ^WS1 *ORDS &A MELODY >E PRES5T1 !Y >E -B9$ 9 AN EXP&$ L9E-BY-L9E =MAT 3SI/+ (A ?REE L9E P>ALLEL4 ,^WS >E PLAC$ ON ! F/ L9E1 CORRESPOND+ *ORDS ON ! SECOND L9E1 &! CORRESPOND+ MELODY ON ! ?IRD L9E4 7,IF A KEYBO>D "P IS PRES5T1 X IS TRANSCRIB$ SEP>ATELY1 B>-OV]-B>47 #BD.AJ4 ,! ^W L9E ALW />TS AT ! M>G91 EI )A ^W1 A SYLLA#1 OR A M1SURE NUMB]4 7,NUMB]S1 )A PREFIX1 >E %[N O3A.N,Y AT ! 4CRE;N (! TRANSCRIB]1 GOV]N$ MA9LY 0! PHRAS+4 ,X IS UNDESIRA# 6NUMB] E #BD.B--#BD.AJ #BGEP>ALLEL47 ,PLACE;T ( *ORDS ON ! A#BCB SECOND L9E IS DICTAT$ 0_! REL,N%IP 6! ^WS4 ,! MELODY L9E ALW />TS 9 ! ?IRD CELL4 ,A RUNOV] L9E1 -M5C+ 9 ! FIF? CELL1 MAY 2 US$ 6EXT5D ! MELODY L9E ON O3A.N1 B N ! ^WS4 #BD.AA4 7#AA-IG7 ,! ABNORMAL APPE>.E & SPAC+ ( "S ^WS IS MADE NEC 0! AM.T ( SPACE REQUIR$ =! CORRECT PLACE;T ( EA* SU3E$+ *ORD SYMBOL4 ,": ! SPACE REQUIR$ 0! SYMBOLS NECESSITATES A SEP>,N ( F\R OR M CELLS 2T ^WS OR SYLLA# DIVI.NS1 A S]IES ( DOTS #CF IS 9S]T$ 9 ! ^W L9E1 )A BLANK SPACE 2F & AF ! S]IES4 #BD.AB4 ,*ORD SYMBOLS >E PLAC$ 9 REL,N 6! ,,^WS1 N 6! MELODY1 &! PLACE;T (! 9ITIAL CAPITAL SIGN ( EA* *ORD 7OR A HYPH5 PREC$+ X7 IS ! DET]M9+ FACTOR Z 6:E!R ! *ORD IS PLAY$ )1 2F1 DUR+1 OR AF ! ^W OR SYLLA# IS S.D$4 ,ALL PUNCTU,N M>KS1 9CLUD+ APO/ROPHES1 9 ! ^W L9E >E 4REG>D$ ) RESPECT 6ALIGN;T4 ,USU,Y A SPACE IS N NEC 2T ! *ORD SYMBOLS1 S9CE ! CAPITAL SIGN OR HYPH5 PREFIX 9DICATES ! 2G9N+ (A NEW *ORD4 ,H["E1 ": M ?AN "OCAPITAL LR APPE>S 9 A *ORD NOT,N B#BCB 7Z 9 ,GNO,D1 OR ,D/,A71 "! %D 2 A SPACE 2T S* *ORD NOT,N &! NEXT4 #BD.AC4 ,PLACE;T (! *ORD SYMBOLS IS MADE AC 6! FOLL[+ DIREC;NS3 #BD.AC.A4 7#AA-IG7 ,": ! *ORD IS S.D$ .)! RELAT$ ^W OR SYLLA#1 ! 9ITIAL CAPITAL SIGN (! *ORD IS V]TIC,Y ALIGN$ )! 9ITIAL "* (! SYLLA# 7:E!R A CAPITAL SIGN OR LR74 ------------------------------------#BCC ,EXAMPLE #BD.AC.A-A4 %#D4 ,STARS WERE SHINING ,G ,BM ,C ,D .:::: IN THE SKY ABOVE1 ,C ,CM .EDDE?V<K #BD.AC.B4 ,": ! *ORD IS S.D$ .2F ! ^W OR SYLLA#1 ! 9ITIAL CAPITAL SIGN (! *ORD IS PLAC$ TWO SPACES 6! LEFT (! 9ITIAL "* (! ^W 7Z )! SECOND *ORD 9 ! EXAMPLE 2L74 #BD.AA--#BD.AC.B #BGG ,EXAMPLE #BD.AC.B-A4 <<<#D4 #BCD ,WHY --- DO YOU AND ,I GO ,A<,M#G,F#G/,A ,B< "( XGGGJH" ON PRE- TENDING8 ,G#G/,B ,CM "GH G'&@CP'<K #BD.AC.C4 ,H["E1 ": A *ORD WD PREC$E ! F/ ^W ON A L9E1 7PREV5T+ ? L9E F />T+ AT ! M>G91 Z REQUIR$7 AN ADJU/;T M/ 2 MADE4 ,USU,Y ! PREC$+ P>ALLEL IS %ORT5$ 6! EXT5T NE$$ 9 ORD] 6ALL[ ! NEW ^W L9E 6/>T 9 ! F/ CELL4 ,NO ADJU/;T IS NEC1 ( C\RSE1 IF ! L9E -M;ES )A M1SURE NUMB]1 Z 9 ! NEXT EXAMPLE4 7,A NUMB] %D N 2 9S]T$ >BITR>ILY = ? PURPOSE1 H["E1 DIVI.NS %D G5],Y 2 MADE ON A MUSICAL BASIS47 ,EXAMPLE #BD.AC.C-A4 #D4 #I NOW IT'S JUST A MEMORY1 ,E#G ,AM U"FF%GF VIJS<K #BD.AC.D4 ,": ! *ORD IS S.D$ #BCE .DUR+ ! SYLLA#1 ! ALIGN;T FACTOR IS A HYPH54 ,! HYPH51 FOLL[$ )\T A SPACE 0! CAPITAL SIGN (! *ORD1 IS V]TIC,Y ALIGN$ )! F/ "* (! SYLLA#4 ,EXAMPLE #BD.AC.D-A4 %#D4 ,WHO KNOWS ---- IF WE WILL MEET ,AM#G,AM#G/,D ,G -,G/,F% "$$U VX((@CH!(@CH" AGAIN8 -,EM .Z)@C T<K #BD.AC.E4 ,": A *ORD *ANGE O3URS .)1 & O!RS O3UR .DUR+1 ! SAME SYLLA# 7OR ": TWO OR M *ANGES TAKE PLACE DUR+ ! SAME SYLLA#71 ! HYPH5 PREFIX (! SECOND *ORD 7OR ANY A4I;NAL "OS7 _C 2 PLAC$ "U ! 2G9N+ (! A6ECT$ SYLLA#4 ,? CAUSES NO PRO#M =! R1D]1 H["E1 2C ! PREFIX 3T9UES 6ACT Z A 8DUR+0 9DICATOR =! *ORD T FOLL[S X4 #BD.AC.C--#BD.AC.E #BGI ,EXAMPLE #BD.AC.E-A4 <<<.C #BCF ,FAR1 FAR AWAY4 ,CM ,G#G ,CM-,FM-,CM "P'G'Z Y@C N<K #BD.AC.F4 ,! F/ ^W OR SYLLA# T FOLL[S A *ORD : IS PREC$$ 0A HYPH5 M/ 2 PLAC$ AT L1/ TWO SPACES 6! "R (! HYPH5 S T ! NEW ^W OR SYLLA# _C 2COME ALIGN$ OR ASSOCIAT$ )! PREVI\S *ORD4 ,? MAY NECESSITATE ! EXT5.N (A SYLLA# )A HYPH5 9 ! .^W L9E1 = EXAMPLE1 ": A *ORD IS /RUCK DUR+ A "O-CELL SYLLA# OR 3TRAC;N T O3URS AT ! 2G9N+ (1 OR 9 ! MI4LE (1 A ^W4 7,A SPACE IS N LEFT AF ! ^W HYPH5 UN.S SPACE IS NE$$ = A4I;NAL *ORD *ANGE47 ,EXAMPLE #BD.AC.F-A4 #D4 O-PEN YOUR HEARTS TO -,CM "\@C2H<FG\[<K ------------------------------------#BCG #BD.AC.G4 ,": ! *ORD IS S.D$ .AF ! SYLLA# OR ^W HAS BE5 REL1S$1 ! 9ITIALCAPITAL SIGN (! *ORD IS PLAC$ "O A#BCG SPACE 6! "R (! F9AL LR4 7,SEE ,EXAMPLE #BD.AC.G-A47 ,IF PREVI\S *ORDAL MAT]IAL ALR EXT5DS 2Y ! ^W1 ! *ORD FOLL[S ? MAT]IAL1 )\T SPACE4 7,SEE ,EXAMPLE #BC.AC.G-B47 ,EXAMPLE #BD.AC.G-A4 <<.C NOW AND THEN2 ,D ,G,M#G %"G*F]U<K ,EXAMPLE #BD.AC.G-B4 <<.C LOVE A- -- WAY4 ,DM ,D<4#G,CM#G,F#G "S'\ T'V<K #BD.AD4 ,": ^WS & *ORDS APPE> AL"O1 & NO MUSIC IS PRES5T1 A TWO-L9E P>ALLEL IS US$1 )! *ORDS ALIGN$ 2N ! RELAT$ SYLLA#S & ^WS 9 ! /AT$ MANN]4 #BD.AC.F--#BD.AD #BHA ,EXAMPLE #BD.AD-A4 #BCH ,AND ,I'LL TRY TO BE SMILING4 ,G#G ,DM#G,G#G,F ,EM,DM #BD.AE4 ,IF M ?AN "O V]SE IS GIV5 )! SAME MUSIC 7OR ! SAME ) SLI<T V>I,NS71 ONLY ! F/ "O IS WRITT5 )! *ORDS & MELODY4 ,A4I;NAL V]SES >E WRITT5 AT ! 5D (! PIECE 9 A TWO-L9E P>ALLEL 3SI/+ ( ^WS & *ORDS ONLY4 ,M9OR V>I,NS 9 ! MELODY : APPLY 6V]SES AT ! 5D (! PIECE MAY 2 %[N Z AN IN-A3ORD 9 ! MUSIC L9E (! F/ V]SE1 LABELL$ )! V]SE NUMB] 7IN ! MANN] (! MUSIC L9E ( ,EXAMPLE #BB.BA-A74 ,IF V]SE & M1SURE NUMB]S APPE> SIMULTANE\SLY1 ! V]SE NUMB] IS PLAC$ "O SPACE 2Y ! M1SURE NUMB]4 ,M1SURE NUMB]S >E N %[N 9 ! A4I;NAL V]SES WRITT5 9 A TWO-L9E P>ALLEL4 #BD.AE.A4 ,": A SECOND V]SE HAS ONLY A FEW ^WS DI6]5T F ! F/ V]SE1 ! V>I,N MAY 2 %[N )9 ! F/ V]SE PROVID$ ! ORIG9AL &! V>I,N C 2 %[N 9 "O BRL L9E4 ,! 9DIC,N ( V]SE NUMB]1 &! V>I,N1 >E 5CLOS$ 9 ^W SIGNS4 ,! *ORDS >E %[N "U EA* V].N1 B !MELODY IS WRITT5 ONLY ONCE4 A#BCH ,EXAMPLE #BD.AE.A-A4 <<<.C ,WILL YOU WAIT FOR >V#B COME WITH> ,FM#G ,B<#G ,B<#G "JJJ(" ME8 -,E<,M#G ")@C T<K ------------------------------------#BCI #BD.AE.B4 ,IF "! >E A NUMB] ( ^W & MELODIC V>I,NS PRES5T1 H["E1 EA* V]SE IS BRLD SEP>ATELY1 9 ! USUAL ?REE-L9E P>ALLEL4 #BD.AF4 ,:5 A VOCAL >RANGE;T 3TA9S MELODY ONLY 7NO PIANO A3OMPANI;T "P7 & NOTES >E 9CLUD$ 9 ! MELODY = : "! >E NO ^WS1 ^! NOTES %D 2 TRANSCRIB$1 & 5CLOS$ 9 MUSIC P>5!SES4 #BD.AG4 ,9 A PIECE ) V FEW *ORD 9DIC,NS1 X IS POSSI# 6H AN 5TIRE P>ALLEL ) NO *ORD *ANGES %[N4 ,9 T CASE1 ! LA/ *ORD 9 E6ECT 9 ! PREVI\S P>ALLEL IS REP1T$ 7)9 ^W SIGNS7 AT ! 2G9N+ (! *ORD #BD.AE--#BD.AG #BHCL9E1 V]TIC,Y ALIGN$ )! F/ ^W4 A#BCI ,IF NO ^WS O3UR 9 A P>ALLEL1 8NO ^WS0 IS PLAC$ AT ! M>G9 (! ^W L9E1 &! APPROPRIATE NUMB] ( RE/S IS BRLD 9 ! MELODY L9E4 #BD.AH4 ,*ORDS AT ! 2G9N+ (A S;G MAY 2 H&L$ AC 6! FOLL[+ EXAMPLE3 ,EXAMPLE #BD.AH-A4 #D%#D4 #J ------------------------- ,THE ,B,EMAJ#G,A#F/,E ,EMAJYG,A#F VU MMM UV%"H<K ------------------------------------#BDJ #BD.AI4 ,IF *ORD SYMBOLS A3OMPANY A KEYBO>D TRANSCRIP;N T HAS NO ^WS1 ! *ORD SYMBOLS 3/ITUTE ! BOTTOM L9E (A ?REE-L9E P>ALLEL4 ,! F/ *ORD 9 EA* M1SURE IS ALIGN$ )! MUSIC AT ! 2G9N+ (! M1SURE1 B NO ATTEMPT IS MADE 6ALIGN *ORDS ) B1TS )9 A M1SURE4 ,EXAMPLE #BD.AI-A4 <_C .>"\'IJD<E<F<>"F<F:]<+<[# .Y#*3<L<K' _>^Q9+W0<\<9+ ''''''''''' ^=9+<L<K' ,FMAJ#I,E<#I,G<#I ,F#I#F #BD.BJ4 ,*ORD SYMBOLS ) MELODY A#BDJ AL"O >E TR1T$ SIMIL>LY 6A KEYBO>D TRANSCRIP;N4 7,SEE ,EXAMPLE #BD.AI-A ABV47 #BD.BA4 7#AA-IG7 ,"S PR9T SYMBOLS1 S* Z ! SMALL CIRCLE 7DIM9I%$7 & SMALL CIRCLE )A L9E "? X 7HALF-DIM9I%$71 H /&>D M1N+S4 ,O!RS H DI6]5T M1N+S 9 DI6]5T PUBLIC,NS2 E4G4 ! SMALL TRIANGLE &! ITALICIZ$ #G H BE5 US$ 69DICATE MAJOR SEV5?S & AL DIM9I%$ SEV5?S AC 6DI6]5T -POS]S4 ,ALL EXPLANATORY MAT]IAL W1 ( C\RSE1 2 9CLUD$ 9 ! TRANSCRIP;N4 ,9 EXAMPLES 7A7 & 7B7 2L1 ! TRIANGLE &! 8ITALICIZ$0 7UNUSUAL7 #G BO? 9DICATE MAJOR SEV5? *ORDS4 ,9 BO? CASES1 ! M1N+ (! *ORD SYMBOL 0 EXPLA9$ AT ! 2G9N+ (! PR9T PUBLIC,N4 ,! PREFIX =! "R H& "P :5 9T]VALS R1D UP IS US$ 9 EXAMPLE 7A74 ,9 EXAMPLE 7B71 ! 8NOTES0 >E M]ELY AN 9DIC,N ( RHY?M =A JAZZ GUIT>I/4 #BD.AH--#BD.BA #BHE ,EXAMPLE #BD.BA-A4 #BDA 7A7 .C .>>_[+0<[/0" R+90<K _> _:" ^\ _N<K ,D-#G,G#G<#I,C0 7B7 #AB8 "JJJJJJ" W'V'<K ,GM ,C#G ,F.#G #BD.BB4 ,OBLIQUE L9ES US$ 69DICATE RHY?MIC /RUMM+ >E O3A.N,Y %[N )A MELODY )\T ^WS4 ,/RUMM+ SIGNS >E REPRES5T$ 0DOTS #C-D1 & >E PLAC$ ON A SEP>ATE L9E DIRECTLY 2L ! NOTES 6: !Y APPLY4 ,IF *ORD SYMBOLS AL APPE>1 !Y >E PLAC$ ON ! BOTTOM L9E (A ?REE-L9E P>ALLEL1 ALIGN$ )! 2G9N+ (! M1SURE 9 : !Y O3UR4 ------------------------------------#BDB ,EXAMPLE #BD.BB-A4 #C4 #J "DE FH@C\DE FH@C\.DE FH@C\FE ?[<K / // / / / / // // ,C ,C#G ,F #BD.BC4 ,! FOLL[+ 8,TRANSCRIB]'S,NOTE0 %D 2 9CLUD$ ) ANY A#BDB TRANSCRIP;N ( S;GS 3TA9+ *ORD SYMBOLS & ^WS4 8,! *ORD SYMBOLS 9 ? S;G RELATE 6! ^WS4 ,! POSI;N (! 9ITIAL CAPITAL SIGN 9 EA* *ORD SYMBOL DET]M9ES :E!R ! *ORD IS PLAY$ 2F1 )1 OR AF ! RELAT$ ^W OR SYLLA#4 ,IF ! *ORD IS S.D$ .2F1 XS 9ITIAL CAPITAL SIGN IS PLAC$ TWO SPACES 6! LEFT (! 9ITIAL "* (! SYLLA#2 IF .)1 XS CAPITAL IS V]TIC,Y ALIGN$ )! SYLLA#2 & IF .AF1 XS 9ITIAL CAPITAL IS PLAC$ "O SPACE 6! "R (! F9AL "* (! ^W4 ,PUNCTU,N M>KS 9 ! ^W L9E H NO BE>+ ON ! RELATIVE POSI;N (! 9ITIAL SIGN (A *ORD4 8,IF ! *ORD IS S.D$ .DUR+ A SYLLA#1 ! *ORD'S 9ITIAL CAPITAL SIGN IS PREC$$ 0A HYPH54 ,! HYPH5 PREFIX S]VES Z ! ALIGN;T FACTOR1 & IS V]TIC,Y ALIGN$ )! F/ "* (! SYLLA#4 7,IF ? ALIGN;T IS PREV5T$ 2C A PREC$+ *ORD IS RELAT$ 6! SAME SYLLA#1 ! HYPH5 PREFIX FOLL[S SD *ORD1 IMMLY47 8,! ABNORMAL APPE>.E & SPAC+ ( "S ^WS IS MADE NEC 0! AM.T ( SPACE REQUIR$ =! #BD.BB--#BD.BC #BHGCORRECT PLACE;T ( EA* SU3E$+ B#BDB *ORD SYMBOL40 #BD.BC.A4 ,SPECIAL SIGNS US$ 9 TRANSCRIB+ A *ORD1 S* Z A PLUS1 M9US1 SMALL CIRCLE1 SLA% L9E1 ETC41 %D 2 LI/$ & ID5TIFI$ =! R1D]4 #BE4 ,,MUSIC ,,= ,,! #BDC ,,A3ORDION 7,TA# #BE7 #BE.A4 ,! SIGNS = A3ORDION MUSIC ONLY BE> _! SPECIAL SIGNIFIC.E :5 ! PASSAGE IS PREC$$ 0! PREFIX GIV5 9 ,TA# #BE1 : IS TR1T$ 9 ! SAME MANN] ALR EXPLA9$ = H& SIGNS 7,P>4 #BJ.A.A--#BJ.A.B74 #BE.B4 7#AA-IG7 ,= A3ORDION REGI/R,N SIGNS1 SEE ,TA# #BE 7,B74 ,! REGI/R,N IS PLAC$ DIRECTLY 9 ! L9E ( MUSIC & IS FOLL[$ IMMLY 0! NEXT MUSIC "*4 ,IF O!R REGI/R,N SYMBOLS APPE>1 SIMIL> SIGNS %D 2 DEVIS$ & DESCRIB$ 9 A ,T4,N4 #BE.C4 ,! SY/EM ( NOT,N "H PRES5T$ IS ADAPT$ =A PIANO A3ORDION ) SIX R[S ( BUTTONS & APPLIES ONLY 6! LEFT H&1 MUSIC =! "R H& 2+ WRITT5 9 ! MANN] ALR EXPLA9$ 9 ? "W4 7,SEE AL ,SEC;N #BH47 ,S9CE V>I\S SIZES & MODELS (! 9/RU;T1 Z WELL Z DI6]+ PR9T SY/EMS ( NOT,N1 >E US$ 9 DI6]5T C.TRIES1 ! PRES5T "W C SET =? ONLY ! BASIC PR9CIPLES (! BRL NOT,N4 #BE4 ,MUSIC =! ,A3ORDION #BHI,! TRANSCRIB] %D MAKE ADJU/;TS = A#BDC SPECIAL CASES & PROVIDE A CLE> EXPLAN,N ( ^! 9 ! TRANSCRIP;NS4 #BE.D4 ,9 PR9T1 ! NOTES (! BASSES 7! F/ TWO R[S ( BUTTONS7 O3UR 9 ! L[] "P (! /AFF ) /EMS TURN$ UP4 ,NOTES = *ORDS 7! REMA9+ F\R R[S7 O3UR 9 ! UPP] "P (! /AFF ) /EMS TURN$ D[N4 ,ANY NOTE =! LEFT H&1 REG>D.S ( XS POSI;N ON ! /AFF1 C 2 PLAY$ ON "O BUTTON ONLY1 & S9CE OCTAVE M>KS >E ?US R5D]$ UNNEC1 ^! SIGNS >E "H US$ 6NUMB] ! R[S ( BUTTONS Z %[N 9 ,TA# #BE4 ,NOTES & RE/S >E1 ( C\RSE1 WRITT5 AC 6,TA#S #A1 #D & #E4 ,! FOLL[+ EXAMPLE %[S ALT]NATE BASSES & *ORDS4 ,EXAMPLE #BE.D-A4 .C ,>^?_?@$_? ^\.\^W.\<K ------------------------------------#BDD #BE.E4 7#AA-IG7 ,! SIGNS = R[S ( BUTTONS 7,TA# #BE 7,A77 PREC$E ! NOTES IMMLY & M/ N 2 SEP>AT$ F !M 0ANY O!R SIGNS4 ,EA* ( ^! SIGNS REMA9 9 =CE UNTIL 3TRADICT$ 0ANO!R R[ SIGN4 7,IN ! FOLL[+ EXAMPLE ! SIGNS A#BDD AF ! NOTES REPRES5T F+]+47 ,EXAMPLE #BE.E-A4 .C ,>'>BS^DLX@JBXI1X^HBX G1X@FLX" ^EBXDLX<K #BE.F4 ,:5 NOTES = *ORDS /& OV] BASSES ( ID5TICAL "T VALUE1 2+ PLAY$ SIMULTANE\SLY ) !M1 ^! *ORD NOTES C 2 WRITT5 Z 9T]VALS PREC$$ 0! *ORD SIGNS 9 ,TA# #BE1 B 9 ? CASE EA* *ORD SIGN APPLIES 6"O 9T]VAL ONLY4 ,EXAMPLE #BE.F-A4 #C8 ,>^?_-X :"-X $_0X ]_-X \_-X [_0X ^W_0X D_-XX<K ------------------------------------#BDE #BE.G4 ,9T]VALS MAY 2 D\#D1 B ! D\BL+ M/ 2 BROK5 2F A *ANGE ( *ORD4 #BE.D--#BE.G #BIA ,EXAMPLE #BE.G-A4 %#F8 A#BDE ,>^\'_--.CHHH_- ['"--.CIII"- ^W'_--.CJJJ ?'.CDDD :'.CEXX ^W'.CJJJ_- ['"-:'.- ^\'_-.CH_-XX<K #BE.H4 ,! 8DRAW0 & 8PU%0 SIGNS 3TROLL+ ! BELL[S %D 2 PLAC$ 9 ! "R-H& "P1 & D N NE$ 6BE FOLL[$ 0SPECIAL OCTAVE M>KS4 ,EXAMPLE #BE.H-A4 .C .>'>MF'<B"DAFBGLH1IKH1GLFB <'"EAGBHLI1JKI1HLGB<K ------------------------------------#BDF #BE.I4 ,! *ORD SYMBOLS & A3ORDION NOT,NS >E "S"TS -B9$ 9 ! SAME PR9T SCORE4 ,EXAMPLE #BE.I-A4 %_C ,>^\_\@W_\ ^[.:^:.:<K ,G ,D#G #BE.I.A4 ,IF ! ABV IS WRITT5 )A FULLY-WRITT5 BASS "P1 ! IN-A3ORD SIGN 7,TA# #AJ7 M/ 2 US$ 6SEP>ATE !M4 ,EXAMPLE #BE.I.A-A4 %_C A#BDF A _>^\_:#0W:#0<>,>^\_\@W_\ ,G B _>^[_]90^:_]90<>,>^[.:^:.:<K ,D#G #BE.H--#BE.I.A #BIC B#BDF #BF4 ,,OR*E/RAL ,,SCORES4 #BDG 7,TA# #BF7 ,7,IN ORD] 6AVOID A BR1* (! RULE GIV5 9 ,P>4 #BF.AE1 ! EXAMPLES 9 ? SEC;N >E GIV5 ON PAGES #BEA-BFA4 ,!Y >E LABELL$ #BF-A--#BF-I47' #BF.A4 ,! ME?OD US$ =! TRANSCRIP;N ( OR*E/RAL SCORES IS 8B>-OV]-B>01 Z %[N 9 ! 4POSI;N ( OP5 SCORE VOCAL MUSIC4 7,SEE ,EXAMPLE #BB.BF.B-A47 #BF.B4 ,"! >E TWO TYPES ( PR9T SCORES1 ! F/ 2+ T =! 3DUCTOR 9 : E PAGE HAS ! -PLETE SCORE EV5 :5 ONLY "O 9/RU;T IS PLAY+1 ! SECOND 7! M9IATURE OR POCKET SCORE7 9 : ONLY ^? 9/RU;TS : >E ACTU,Y PLAY+ >E 9 G5]AL PR9T$ ON ANY "PICUL> PAGE4 ,X IS ? LATT] TYPE ( SCORE : IS "H RECOMM5D$ =! PURPOSE ( BRL TRANSCRIP;NS4 #BF.C4 ,! F/ PAGE (A PR9T SCORE ( EI TYPE ALW 3TA9S ! -PLETE SCORE1 REG>D.S (! 9/RU;TS : MAY 2 SIL5T1 &! "N & 7) TRANSPOS+ 9/RU;TS7 KEY ( EA* 9/RU;T IS #BF4 ,OR*E/RAL ,SCORES #BIEPR9T$ 2F XS /AFF4 A#BDG #BF.D4 ,9 BRL1 ! "NS & DETAILS (! 9/RU;TS M/ 2 GIV5 ON A SEP>ATE PAGE 7SEE SPECIM5 ON PAGE #BEA71 ! F/ PAGE (! MUSIC 2+ DEVOT$ ONLY 6^? 9/RU;TS T >E ACTU,Y PLAY+4 7A7 ,A LI/ ( A2REVI,NS =! ,5GLI%1 ,FR5*1 ,ITALIAN & ,G]MAN "NS (! USUAL OR*E/RAL 9/RU;TS IS GIV5 9 ,TA# #BF1 & 9 ! ,5GLI% EDI;N (! PRES5T "W ! ,5GLI% A2REVI,NS >E US$ 9 ALL EXAMPLES4 7B7 ,X W (T5 2 NEC =! TRANSCRIB] 6DEVISE A2REVI,NS = UNUSUAL 9/RU;TS1 & ^! %D ALW 2 LIMIT$ 6TWO OR ?REE LRS 3VEY+ AN IMM SU7ES;N (! "N 7E4G4 ,GLOCK5SPIEL--,GLO41 ,TAM-,TAM--,,TT1 ETC474 7C7 ,X IS RECOMM5D$ T ! A2REVI,NS US$ %D 2 ^? (! LANGUAGE (! C.TRY 9 : ! BRL SCORE IS PR9T$1 :AT"E MAY 2 ! LANGUAGE (! PR9T SCORE4 ------------------------------------#BDH #BF.E4 ,9 MO/ PR9T SCORES ! TRANSPOS+ 9/RU;TS >E WRITT5 9 KEYS O!R ?AN T (! "PICUL> "W1 & X IS "!=E NEC 6M>K ! KEYSIGNATURE 9 E L9E S M>K$ 9 ! A#BDH PR9T 7! HORNS & TRUMPETS USU,Y H NO SIGNATURE74 ,! KEY SIGNATURE FOLL[S ! A2REVI,N )\T AN 9T]V5+ SPACE1 ?US3 >FL21'% >O21'% >CL21'<< ,"! IS A GR[+ T5D5CY 6PUBLI% PR9T SCORES 9 : ALL ! "PS >E WRITT5 9 ! KEY (! PIECE1 & 9 TRANSCRIB+ ^! X IS1 ( C\RSE1 N NEC 69CLUDE KEY SIGNATURES =! SEP>ATE "PS4 #BF.F4 ,! A2REVI,N = EA* "P 7) XS KEY SIGNATURE ": NEC7 M/ 2 PLAC$ AT ! 2G9N+ ( E L9E 9 E P>ALLEL "?\T ! SCORE 7EXCEPT 9 RUN-OV] L9ES 7SEE ,P>4 #BF.AA77 & 9 ! FREE L9ES M5;N$ 9 ,P>4 #BF.AB & #BF.AF4 ,! V]TIC,Y ALIGN$ MUSIC TEXT %D 2G9 Z F> 6! LEFT Z ! L;GE/ 9/RU;TAL A2REVI,N 7) OR )\T KEY SIGNATURE7 W P]MIT4 ,9 ! L9E )! L;GE/ A2REVI,N1 "! M/ 2 A S+LE SPACE 2F -M;E;T (! MUSIC TEXT1 & ALL O!R L9ES ( MUSIC >E V]TIC,Y ALIGN$ ACLY4 ,RUN-OV] L9ES >E 9D5T$ TWO SPACES F ? ALIGN;T4 #BF.D--#BF.F #BIG,?US1 9 ,EXAMPLE #BF-B1 PAGE B#BDH #BEB1 ! MUSIC TEXT %D 2G9 9 ! SEV5? SPACE2 9 ,EXAMPLE #BF-F1 PAGE #BEF1 9 ! T5?1 ETC4 #BF.G4 ,A SPECIAL OCTAVE M>K M/ 2 GIV5 6! F/ NOTE ON E BRL L9E1 B ! F/ NOTE (! SECOND & SU3E$+ M1SURES ON A L9E DOES N NE$ ? SPECIAL OCTAVE M>K 7SEE ,EXAMPLE #BF-B1 PAGE #BEB74 #BF.H4 ,9T]VALS & IN-A3ORDS %D ALW 2 R1D UPW>D1 S9CE ! O3URR;E ( TRE# & BASS 9/RU;TS 9 IRREGUL> ORD] 7TRUMPETS 2L BASSOONS1 ETC47 R5D]S ANY O!R PLAN 3FUS+ 6! R1D]4 ,9 ORD] 6FUR!R CL>IFY ?1 EA* PAIR ( 9/RU;TS %D 2 WRITT5 ?US3 >FL21' 7ETC47 #BF.I4 ,9 8DIVISI0 PASSAGES =! /R+S1 X IS M* BETT] 6USE IN-A3ORDS OR EV5 SEP>ATE L9ES ": 9T]VALS WD H BE5 POSSI#1 ! ONLY EXCEP;N 6? 2+ PASSAGES 9 OCTAVES4 7,EXAMPLES #BF-C & #BF-D1 PAGE #BED47 #BF.AJ4 ,"! IS1 = TYPOGRAPHICAL & O!R R1SONS1 3SID]A# V>I,N 9 ! SIZE (P>ALLELS 9 ! PR9T M9IATURE C#BDH SCORE1 &! TRANSCRIB] IS N B.D 6FOLL[ ! PR9T 9 E CASE 9 ? MATT] IF ! EXIG5CIES ( BRL W>RANT A DE"PURE F X 6SECURE A M 3V5I5T LAY\T4 7,EXAMPLE #BF-E1 PAGE #BED47 ------------------------------------#BDI #BF.AA4 ,! RULE 8"O "P1 "O L9E0 9 EA* P>ALLEL %D N 2 TOO RIGIDLY FOLL[$ IF X 9VOLVES A FREQU5T DIVI.N (! M1SURE1 & 9 P>ALLELS 9 : ONLY A FEW "PS NE$ M1SURE DIVI.N1 RUN-OV] L9ES 79D5T$ TWO FUR!R SPACES1 SEE ,P>4 #BF.F71 C 2 US$ =! -PLE;N (! M1SURE 9 S* "PS4 7,EXAMPLE #BF-F1 PAGE #BEF47 #BF.AB4 ,EXPRES.N M>KS MAY "S"TS 2 WRITT5 TGR )! MUSIC TEXT1 B XA IS G5],Y BETT] 6PLACE !M ON A FREE L9E ABV ! "P 6: !Y APPLY4 7,SEE ,EXAMPLE #BF-F1 PAGE #BEF1 = BO? TR1T;TS47 #BF.AB.A4 ,X FREQU5TLY HAPP5S1 ESPECI,Y 9 ,G]MAN SCORES1 T A GR\P ( ^WS ( EXPRES.N W O3UPY TOO M* SPACE :5 WRITT5 \ 9 FULL4 ,S* ^WS >E (T5 #BF.G--#BF.AB.A #BIIA2REVIAT$ 9 ! PR9T 7E4G4 8U4 A#BDI AUSDRUCKSV40 = 8UND AUSDRUCKSVOLL10 OR 8MARC4 ED APPASS40 = 8MARCATO ED APPAS.NATO071 & X IS P]MISSI# =! BRL TRANSCRIB] 6USE SIMIL> A2REVI,NS1 EV5 :5 ! PR9T DIREC;NS >E GIV5 9 FULL4 7,SEE ,EXAMPLE #BF-F1 PAGE #BEF47 #BF.AC4 ,IF S* A2REVI,N IS IMPOSSI# OR IS 9SU6ICI5T =! PURPOSE1 ! ^WS MAY 2 C>RI$ 96! NEXT P>ALLEL1 7DIVID+ A ^W AT ! 5D (! L9E IF NEC7 Z IS "S"TS D"O 9 PR9T SCORES 7,EXAMPLE #BF-G1 PAGE #BEG74 7,S9CE ^! DIREC;NS W NATUR,Y 2 PLAC$ AT ! PO9T ": !Y O3UR 9 ! M1SURE1 !Y MAY APPE> AT ANY PO9T 9 ! BRL L9E1 ! LIMIT,N M5;N$ 9 ,P>4 #BH.AG 2+ 4REG>D$47 #BF.AD4 ,9 ORD] 6P]MIT ! 9CLU.N (A L;G P>ALLEL ON "O PAGE1 ! ME?OD %[N 9 ,EXAMPLE #BF-H1 PAGE #BEH C 2 US$4 #BF.AE4 ,X W 2 REMEMB]$ T 9 ,P>4 #BB.CD1 X IS "S"TS P]MITT$ 6RELAX ! RULE T A P>ALLEL M/ 2 -PLET$ ON ! PAGE ON : X 2G9S1 B ! NATURE ( OR*E/RAL MUSIC IS S* T CL>;Y DEM&S ! /RICT OBS]V.E ( ? RULE1 :AT"E ! SACRIFICE 9 SPACE4 #BF.AE.A4 ,IF A P>ALLEL B#BDI 3TA9S TOO _M L9ES = "O BRL PAGE X C 2 -M;ED ON A LEFT-H& PAGE & -PLET$ ON ! OPPOSITE "R-H& PAGE1 ) AN EQUAL NUMB] ( L9ES ON BO? PAGES ": POSSI#4 #BF.AF4 ,": "! >E TWO OR M P>ALLELS ON A PAGE1 TWO FREE L9ES M/ 2 LEFT 2T P>ALLELS1 ! SECOND ( ^! 2+ RES]V$ = S* 9DIC,NS Z M1SURE NUMB]S1 PR9T PAGE NUMB]S1 OR REF];E LRS OR NUMB]S 9 ! SCORE1 ETC41 & ^! %D 2 PLAC$ 9 ! TWELF? OR N9? SPACE 7SEE ,P>4 #BF.F7 Z %[N 9 ,EXAMPLE #BF-I1 PAGE #BFJ4 ,! BRL 3V5I;E ( M1SURE-NUMB]+ C 2 US$ ONLY :5 "! >E NO NUMB]S OR LRS 9 ! PR9T4 ------------------------------------#BEJ #BF.AG4 ,ALL REP1TS O!R ?AN ^? GIV5 9 ! PR9T %D 2 EXCLUD$ F BRL TRANSCRIP;NS ( OR*E/RAL SCORES EXCEPT = V OBVI\S M1SURE OR "P-M1SURE REP1TS ON ! SAME BRL L9E Z ! ORIG9AL PASSAGE4 #BF.AH4 ,9 PASSAGES = W9D 9/RU;TS M>K$ 8A #B0 7OR XS EQUIVAL5T 9 ANY LANGUAGE7 X IS CU/OM>Y 6RE-M>K ? 9DIC,N AT ! 2G9N+ #BF.AC--#BF.AH #CJA( E PR9T P>ALLEL :ILE X REMA9S 9 A#BEJ =CE1 B S* REP1T$ M>KS >E N NEC 9 BRL1 ! NUMB]S ATTA*$ 6! "NS (! 9/RU;TS AT ! 2G9N+ ( EA* L9E 2+ A SU6ICI5T REM9D] 6! R1D]4 #BF.AI4 ,:5 "PS >E D\#D1 EI AT ! UNISON OR OCTAVE OR D\# OCTAVE1 ETC41 0DI6]5T 9/RU;TS1 ! 8P>ALLEL-MOVE;T0 DEVICE 7,P>4 #AF.BI--#AF.BI.A7 MAY 2 US$4 ,X M/ 9CLUDE ALL M>K+S 3NECT$ )! "P ( : X =MS A COPY EXCEPT EXPRES.N M>KS AT ! -M;E;T (A M1SURE4 #BF.BJ4 ,P>ALLEL MOVE;T %D G5],Y 2 US$ = 9/RU;TS : /& IMMLY 2L "O ANO!R 9 ! SCORE1 B = V IMPORTANT & OBVI\S MELODIC L9ES D\#D 09/RU;TS AT "S 4T.E F "O ANO!R ON ! PAGE X C 2 TR1T$ ?US3 >V1'< "->FL1' #BF.BA4 ,! R1D] IS REF]R$ 6,P>4 #AH.AJ =! TR1T;T ( EXPRES.N M>KS PR9T$ DUR+ ! C\RSE ( SU/A9$ NOTES1 A F1TURE : IS (T5 MET ) 9 OR*E/RAL SCORES4 #BF.BB4 ,X MAY (T5 2 NEC =! TRANSCRIB]6MAKE ADJU/;TS & A4I;NS 6! =EGO+ B#BEJ DIREC;NS & RULES1 B ^! M/ ALW 2 BAS$ ON ! PR9CIPLES SET =? 9 ? SEC;N4 ------------------------------------#BEA ,OR*E/RAL ,EXAMPLES #BF.BC4 ,! FOLL[+ IS A SPECIM5 (! LI/ ( 9/RU;TS 6BE GIV5 ON ! PAGE : PREC$ES ! MUSIC TEXT4 #BF.AI--#BF.BC #CJC ,EXAMPLE #BF-A4 A#BEA ,,DIE ,,MEISTERSINGER ,,VON ,,NURNBERG--,VORSPIEL KLEINE FL[TE 7PC'74 #B GROSZE FL[TEN 7FL21'74 #B HOBOEN 7O21'74 #B KLARINETTEN IN ;B 7CL21'74 #B FAGOTTE 7B21'74 #D H[RNER IN ;F 7HN21' HN43'74 #C TROMPETEN3 99 #A U4 #B IN ;F 7TP21'74 #C IN ;C 7TP3'74 #C POSAUNEN 7TB21' TB3'74 BASZTUBA 7BTU'74 PAUKEN IN ;C U4 ;G 7DR'74 TRIANGEL 7TRI'74 BECKEN 7CYM'74 HARFE 7H74 #A VIOLINEN 7V1'74 #B VIOLINEN 7V2'74 BRATICHEN 7VL'74 VIOLONCELLE 7VC'74 KONTRAB>SZE 7DB'74 VIOLONCELLE U3 KONTRAB>SZE 7VB'74 99 ,! TRUMPET "PS >E SET \ #BEB 9 ! PR9T APPROXIMATELY ?US3 #A U4 #B IN ;F4 #C TROMPETEN4 #C IN ;F4 ! TOP & BOTTOM L9ES (! ABV 2+ EA* PLAC$ 6! LEFT ( XS [N /AFF1 )! MI4LE L9E PROJECT+ 6! LEFT 9 ! SPACE 2T ! /AVES4 ,! PLAN %[N 9 ! SPECIM5 LI/ 9DICATES ! BE/ ME?OD 9 ALL S* CASES4 7,OBS]VE ! DIVI.N (! F\R HORNS &! ?REE TROMB"OS3 ? IS D"O 6%[ ! NUMB] ( /AVES &! NUMB] ( 9/RU;TS ALLOTT$ 6EA* /AFF47 ,EXAMPLE #BF-A #CJE ,EXAMPLE #BF-B4 <#C4 A#BEB >O1' .?C<$: ?CJCIW ?C<$:<K >O2' "[C?W [C]] [C?W<K >O3' "Q] <$CECD: <$?]<K >B' _SW ?C<$: ?CJCIW<K >HN1' _]GGGG ]VV ]GGGG<K >HN2' M _]GGGG ]VV<K >VPC' .?C<$: ?JCIW ?C<$:<K >V1' .- .- ''''' .-<K >V2' "[C?W [C]] [C?W<K >VL' "Q] 6<$CECD: <$?]<K >VC' _SW ?C<$: ?CJCIW<K >DBC' _- "- ''''' "-<K 7VPC' EQUALS ,VIOL9O PI3OLO DBC' EQUALS ,D\# BASS & CEMBALO7 --------------------------------#BEC-BED ,EXAMPLE #BF-C4 <<<.C >V1' 6"[5(C5!.IXU<>6.]5*&C5=;GXU<K ,EXAMPLE #BF-D4 .C >V1' "D--Z&=HIJ?-V<K A#BED ,EXAMPLE #BF-E4 <<<.C 7P47 >FL1' M<K >FL2' M<K >O1' >P' MOLTO CR'> *.&<K >O2' >P' MOLTO CR'> ")<K 7B47 >O21' >P' MOLTO CR'> ")*#<K --------------------------------#BEE-BEF ,EXAMPLE #BF-F4 #D%.C >CL21'** >P;B<":'D<N<>>P'<.O@CEXV<K >IN ;F> >HN2' %"GXVU<K >IN ;E> >HN43' >P'288_H"DF8HXU<>.DXVU<K >SEHR ZART U' AUSDRUCKSV'> >V1'#D% ;B"WFH>C_W'YZ^2<K >V2'#D% _JXVU<K >VL'#D% >SEHR ZART> >P;B_$@C" _&%^)YZ>C_FED^2;BG<K >VC'#D% >ZART^RQ<K ,EXAMPLES #BF-B--#BF-F #CJG #BEG ,EXAMPLE #BF-G4 .C >VL' "(*G%DE&GDE&GEF>F"(%G*GE >F' NICHT GE- >DB' _R'>F_\ >VL' "FXVU<K BUNDEN ABER SEHR GEHALTEN> >DB' _R@CHFGH<K ------------------------------------#BEH #BF.BD4 7,9 ! FOLL[+1 ! /AVES = ,'PC, FL21', CYM', TRI', ;2& ,'H' ;2>E GIV5 9 ! PR9T1 EA* 3TA9+ "O M1SURE RE/47 ,EXAMPLE #BF-H4 A#BEH ,SEHR MASSIG BEWEGT4 #D4 >O'CL'HN' SEHR GEHALTEN> >O21' >ZU #B> >F.N"\'H<K >CL21'%% >IN ;B> >ZU #B> >F.O"['I<K >B21' >F_P+?'+"D+<K >HN21' >IN ;F> >F"R9\'9J+<K >HN43' >IN ;F> >F_R"+":'0H+<K >TP21' >IN ;F> >F_R-W'+J+<K >TP3' >IN ;C> >F_RU<K >TB'BTU' >SEHR GEHALTEN> >TB21' >F"P+_\'#"D+<K >TB3' >F_N'W@C<K >BTU' >F^N'W@C<K >DR' >IN ;C ;U ;G> >F'6_?DXU<K >V1' >F_\0#VU<K >V2' >F_\0#VU<K >VL' >F_?9+-V$0+V<K >SEHR KR>FTIG> >VC' >F^N'-" >SEHR KR>FTIG> ^W@C<K >DB' >F_N'W@C<K ------------------------------------#BEI ,EXAMPLES #BF-G--#BF-H #CJI #BFJ ,EXAMPLE #BF-I4 #D%.C #AJA >CL2' %_P%R >B1'#D% ;B_S*?'I >V1'#D% X>D;B.8.D@C2DIH^2]'C>4"F >VL'#D% >D;B"DIGF>C_E^2;B%F2GI%J^2 >VC'#D% ^QCS #AJB >FL1'#D% X>P>D;B.8;D@C2DIHG^2>4'XV<K >O1'#D% U>P>C;B.]'F<K >CL2' _T>C":%:<K >B1'#D% "$E^2XU<K >V1'#D% >C;B"$E'Y%WD^2>P"I@C<K >V2'#D% X>D;B.8.D@C2DIH^2>C"]'CF<K >VL'#D% >D;B"DIGF>C_EF2%FGI^2<K >VC'#D% ^QCSC<K ------------------------------------#BFA #BFB ,! ,TRANSCRIP;N ( ,B& & ,OR*E/RAL ,"PS #BF.BE4 ,! TRANSCRIP;N ( SEP>ATE OR*E/RAL "PS %D 2 BAS$ ON ! DIREC;NS GIV5 9 ,*APT] #BC4 ,^! W1 9 G5]AL1 2 F.D ADEQUATE = W9D & P]CUS.N 9/RU;TS Z WELL Z = /R+S4 ,! S+LE-L9E =MAT IS US$ = S* "PS 7Z WELL Z = SOLOS =A B& OR OR*E/RAL 9/RU;T74 ,! MUSIC IS DIVID$ 96SEG;TS 7BAS$ ON ! /RUCTURE & PHRAS+ (! -POSI;N71 G5],Y 3SI/+ ( F TWO 6F\R L9ES ( BRL4 ,EA* SEG;T IS 9TRODUC$ AT ! M>G9 0! APPROPRIATE M1SURE NUMB]1 PREC$$ 0! NUM]AL SIGN4 ,SU3ESSIVE L9ES 9 EA* SEG;T >E 9D5T$ TWO SPACES4 #BF.BF4 7#AA-IG7 ,9 MUSIC =! H>P OR O!R PLUCK$ 9/RU;TS1 :5 >R[S APPE> 9 PR9T 69DICATE UP OR D[N DIREC;N = >PE7I,N1 ! >PE7IO SIGNS F ,TA# #AH >E US$ Z 9 ! NEXT TWO EXAMPLES4 ,EXAMPLE #BF-I 6,P>4 #BF.BF #CAA ,EXAMPLE #BF.BF-A4 <#F8 A#BFB >FF' GLISSANDO> .>'>KK.G+*9%3>KG+93>KKG+93" ">K.G+93">KK7">K7<K _>'%_H*+93>KH+937">KH+9377<K ------------------------------------#BFC ,EXAMPLE #BF.BF-B4 #F8 _I>KK.F+9-7_F>KK.F#%0/#7 #C4 _[" #BF.BG4 ,9 ! NEXT EXAMPLE A DIREC;NAL >R[ 9DICATES #A/D /EP ALT],N ( PIT* 7EXPLA9$ 0! -POS] 9 ! TEXT74 ,9 BRL1 A %>P SIGN PREC$$ 0DOT #D REPRES5TS ! >R[ 0%[+ ! #A/D /EP UPW>D MOVE;T (! PIT*4 ,EXAMPLE #BF.BG-A4 #D4 .(5%GH'@C\@C(^2;B5%GH'@C(@A@%H'@A<K #BF.BH 7#AA-IG7 ,BRACKETS >E PLAC$ ": !Y APPE> 9 PR9T4 ,:5 ! PR9T DOES N PROVIDE A SPECIFIC "R-ANGLE L9E 6%[ ! 2G9N+ OR 5D+ (A BRACKET1 ! ,G5]AL ,TA# %[S SIGNS = BRACKETS 8) UNCLE> 5D+04 ,^? >E US$ 9 FACSIMILE TRANSCRIP;NS4 ,9 NON-FACSIMILE TRANSCRIP;NS1 ! /&>D A#BFC BRACKET OP5+ OR CLOS+ SIGNS >E US$4 ------------------------------------#BFD ,EXAMPLE #BF.BH-A4 %%.C ;1;ZFGF Z.IGFZ"I"'GF<K #BF.BI4 ,PR9T MUSIC = NON-MELODIC P]CUS.N 9/RU;TS IS WRITT5 ON A /AFF1 A S+LE L9E1 OR A "PIAL /AFF 7LESS ?AN FIVE L9ES74 ,:5 WRITT5 ON A FULL /AFF1 ! CLEF SIGN 7IF GIV57 IS A BASS CLEF1 B (T5 "! IS NO CLEF SIGN OR A PSEUDO-SIGN IS 9 ! SPACE ALLOTT$ = CLEF SIGNS4 7,SEE ,EXAMPLE #BF.CC-A47 #BF.CJ4 ,! 9/RU;T 6BE PLAY$ IS DESIGNAT$ 0A SPECIFIC PIT*4 ,9 "S -POSI;NS ! PR9T GIVES A LI/ ( NOTES ) CORRESPOND+ 9/RU;TS 7SEE ,EXAMPLE #BF.CC-A72 9 O!R -POSI;NS ! P]=M] MAKES ? DET]M9,N F ! MUSIC XF4 7,SEE ,EXAMPLE #BF.CB-A47 #BF.CA4 ,9 BRL1 NOTES WRITT5 ON A FULL /AFF >E TRANSCRIB$ Z IF WRITT5 9 ! BASS CLEF4 ,NOTES WRITT5 ON A S+LE L9E >E #BF.BG--#BF.CA #CACBRLD Z ! NOTE ;,C4 ,:5 A "PIAL A#BFD /AFF IS US$1 PIT*ES >E ASSIGN$ 0! TRANSCRIB] :O 9CLUDES A TRANSCRIB]'S NOTE %[+ PIT*ES ) 9/RU;TS4 ,EXAMPLE #BF.CA-A4 .C >TRI' 6Y ???? ?VYYYYDD<K #BF.CB4 ,9 P]CUS.N MUSIC1 ! BRL SIGNS = "R & LEFT H& 7,TA# #AI7 FOLL[ ! NOTES4 ------------------------------------#BFE ,EXAMPLE #BF.CB-A4 #D4 7#E ,TEMPLE ,BLOCKS7 #A V>FF_(AHLHAHL(LMX&MX<>VV_&AFFF" _YDDD 6.8^['22YLDADL!AIIYDD" >SF>C^!IIYDD<K #BF.CC4 ,9 PR9T1 PICTORIAL SYMBOLS >E (T5 9CLUD$ T 9DICATE S* DETAILS Z TYPES ( /ICKS OR MALLETS 6BE US$1 POR;N ( DRUM OR CYMBAL 6/RIKE1 USE ( SN>ES1 ETC4 ,9 BRL1 A2REVI,NS REPRES5T ! PICTORIAL SYMBOLS4 ,! A2REVI,NS >E 9S]T$ 9 ! MUSIC AT ! PROP] LOC,N & >E LI/$ 9 A TRANSCRIB]'S NOTE )A DESCRIP;N (!PICTORIAL SYMBOL4 A#BFE ------------------------------------#BFF ,EXAMPLE #BF.CC-A4 ,L[ SUSP5D$ ,CYMBAL 7;,X-%APE7 "" ,'^J ,HI< SUSP5D$ ,CYMBAL 7;,X-%APE7 ,'_G REV]SE 5D ( RATTAN /ICKS """""" ,'>RRS BRU%ES """"""""""""""""""""""""" ,'>BR REV]SE 5D ( BRU%ES 7METAL7 """" ,'>RBR ON DOME ( CYMBAL """"""""""""""" ,'>DC ON C5T] ( CYMBAL """"""""""""""" ,'>CC ON $GE ( CYMBAL """""""""""""""" ,'>EC #EG #C4 >EC>P^J@CXV>RRS'V #B4 V" >DC>PP'2_Q>CC^)>DC_Q>CC^)@C>SIM'" 2^T)_Q^T_Q@C #C8 2_Q=Q.8^)@CJ@C>BR'X<K ------------------------------------#BFG #BF.CD4 ,:5 ALT]NATE SETS ( H& SIGNS >E GIV5 = P]CUS.N1 !Y MAY 2 TRANSCRIB$ Z IN-A3ORDS OR BRLD ! SAME Z TWO SETS ( F+]+ SIGNS 9 KEYBO>D MUSIC4 #BF.CB--#BF.CD #CAE ,EXAMPLE #BF.CD-A4 A#BFG ?L?A?L?A<>?A?L?A?L ?LA?AL?LA?AL #BF.CE4 ,! M1SURE REP1T IS (T5 9DICAT$ 9 PR9T 9/RU;TAL "PS 0AN OBLIQUE L9E ) DOTS ABV & 2L X4 ,? C 2 REPRES5T$ 9 BRL 0! M1SURE OR "P-M1SURE REP1T GIV5 9 ,TA# #AF4 #BF.CF4 ,X "S"TS HAPP5S1 H["E1 T A PR9T REP1T W 3TA9 EXPRES.N M>KS DI6]+ F ^? 9 ! ORIG9AL M1SURE4 ,:5 ^! O3UR AT ! -M;E;T (! REP1T$ M1SURE !Y C 2 TR1T$ Z %[N 9 ,EXAMPLE #AF.AF-G1 B IF !Y O3UR AT ANY O!R PO9T 9 ! REP1T$ M1SURE1 T M1SURE M/ 2 WRITT5 9 FULL4 #BF.CG4 ,:5 ! SCORE IS PR9T$ ) REF];E LRS OR NUMB]S1 !Y %D =M ! BASIS (! P>AGRAPH+ 9 SEP>ATE B& "PS4 #BF.CH4 ,! PR9T %D 2 REPRODUC$ EXACTLY Z X /&S 7SAVE =! EXCEP;NS M5;N$ ABV7 &! TRANSCRIB] M/ DEVISE SPECIAL SIGNS 6MEET SPECIAL CASES1 & M/ GIVE ADEQUATE EXPLAN,NS ( ^! 9 ! BRL TEXT4 #BF.CI4 ,! SIGNS 9 ,TA# #AI 7,B7 >EUS$ 6REPRES5T PR9T DEVICES : B#BFG O3UR PRIM>ILY 9 JAZZ B& MUSIC4 ,B[+ SIGNS1 6GIVE DIREC;N1 >E -B9$ EI )! SIMPLE SLUR OR )! GLISS&O4 7,! SLUR OR GLISS&O SIGN REMA9S CLOSE/ 6! NOTE1 PREC$$ OR FOLL[$ 0! DIREC;NAL SIGNS4 ,? IS AN EXCEP;N 6,P>4 #BB.CH ) RESPECT 6CLOSE;S ( B[+ SIGNS 6NOTES47 ,! SLUR & GLISS&O SIGNS1 Z US$ "H1 M/ 2 3SID]$ 9TEGRAL "PS ( -P.D SIGNS4 ,ANO!R DEVICE : 9DICATES A DIP 9 PIT* MAY 2 %[N 9 BRL 0US+ ! 8P$AL D[N0 SIGN 2F ! 8DIPP$0 NOTE4 ,2C (! 9FREQU5CY & UNIQUE;S ( ^! 9DIC,NS1 ^! SIGNS %D 2 EXPLA9$ 9 A TRANSCRIB]'S NOTE4 ,! FOLL[+ EXAMPLE 3TA9S O!R POSSI# -B9,NS ( DIREC;NAL & SLUR OR GLISS&O SIGNS APPLICA# 6JAZZ NOT,N4 #BF.CE--#BF.CI #CAG ,EXAMPLE #BF.CI-A4 #BFH <'C.? 7RIS+ SLUR 2F NOTE7 <'@A.? 7RIS+ GLISS&O 2F NOTE7 .?C<B 7D[NW>D SLUR AF NOTE7 .?@A<B 7D[NW>D GLISS&O AF NOTE7 <C.? 7DIP OV] OR "U NOTE7 #BF.DJ4 ,9 ! TRANSCRIP;N (A S+LE "P F A B&1 OR*E/RAL OR 5SEM# "W1 %ORT CUES ( ?REE 6F\R B>S %D 2 WRITT5 9 ": "! >E L;G RE/S4 ,S* CUES >E WRITT5 Z IN-A3ORDS AF ! M1SURE RE/ REPRES5T+ ! SOLO "P4 ,ONLY NOTES1 RE/S & TIES >E NEC 9 ! CU$ "P4 #BG4 ,,FIGUR$ ,,BASS #BFI 7,TA# #BG7 ,A4 ,HORIZONTAL ,=MAT #BG.A4 ,9 TRANSCRIB+ FIGUR$ BASS1 ! SIGNS 9 ,TA# #BG ONLY BE> _! SPECIAL M1N+ :5 ! PASSAGE 9 : !Y O3UR IS PREC$$ 0! FIGUR$-BASS PREFIX1 : IS TR1T$ 9 ! SAME MANN] Z T EXPLA9$ = H& SIGNS 9 ,P>4 #BJ.A--#BJ.A.B4 #BG.B4 ,! V]TICAL COLUMNS ( FIGURES 9 ! PR9T M/ ALW 2 TRANSCRIB$ F ! L[E/ UPW>D4 ,EXAMPLE #BG.B-A4 .C ;>^?#0_?#0I#0H#0] ]#2$#34" ^:#56$#7 ]#5910:#6<[#6\ Y<K #BG.C4 ,:5 FIGURES >E PR9T$ HORIZONT,Y1 EI S+LY OR 9 COLUMNS1 ! NUM]AL SIGN M/ 2 REP1T$ = E FIGURE OR COLUMN4 ,EXAMPLE #BG.C-A4 .C ;>_P#8#7Q#5#6 (#46#35<K #BF.DJ--#BG4 ,FIGUR$ ,BASS #CAI #BG.D4 ,:5 ! NUMB] ( FIGURES #BGJ V>IES 9 DI6]5T COLUMNS1 DOT #C M/ 2 M>K$ = E SPACE N O3UPI$ 0A FIGURE 9 ORD] 6%[ ! CORRECT HORIZONTAL ALIGN;T ( EA* FIGURE4 ,EXAMPLE #BG.D-A4 .C ;>_(#79#'8 %R'#357#''6#'56V<K #BG.E4 ,IF1 Z "S"TS HAPP5S1 ! PR9T IS N ALW V EXACT 9 ? MATT] ( HORIZONTAL ALIGN;T1 ! TRANSCRIB] %D1 N"E!.S1 FOLL[ X FAI?;LLY )\T ATTEMPT+ ANY CORREC;N ON 8 [N RESPONSIBIL;Y4 #BG.F4 ,IF X IS NEC 6%[ ! RHY?MIC VALUE ( GR\PS ( FIGURES ABV OR 2L A SU/A9$ NOTE1 /EM SIGNS MAY 2 PLAC$ AF ! LA/ FIGURE 9 EA* COLUMN4 ,EXAMPLE #BG.F-A4 %%.C ;>_Z#59_A#4'_A#38_K<K 7,IN CASES ": ! PR9T IS N CLE> 9 ? MATT]1 ! TRANSCRIB] M/ N TRY 69T]PRET X47 #BG.G 7#AA-IG74 ,9 PR9T1 #BGA A3ID5TALS >E PLAC$ IMMLY 2F ! FIGURES 7OR 9 ! BLANK SPACES7 6: !Y APPLY & ? RULE M/ 2 FOLL[$ 9 BRL EV5 IF1 Z "S"TS HAPP5S1 A3ID5TALS >E PR9T$ AF FIGURES4 ,:5 AN A3ID5TAL IS FOLL[$ 0A SPACE 9 BRL1 ! SPECIAL SIGN = 8ISOLAT$ A3ID5TAL0 7,TA# #BG7 IS N NEC4 ,EXAMPLE #BG.G-A4 %%.C ;>_:?#%6W#%K[#*3*46<K #BG.H4 ,L9ES ( 3T9U,N >E TR1T$ 9 ! SAME MANN] Z T 9DICAT$ = BLANK SPACES 7,P>4 #BG.D74 ,EXAMPLE #BG.H-A4 .C ;>_R#457#3AAN#AAA#3<K ------------------------------------#BGB #BG.I4 ,! FOLL[+ EXAMPLE ILLU/RATES ! USE (! BRL SIGNS REPRES5T+ OBLIQUE /ROKES 9 ! PR9T4 #BG.D--#BG.I #CBA ,EXAMPLE #BG.I-A4 %%_C A#BGB ;>^OQ RQ#A PR#7 S#/R#34;6 Q#%K%S#7 %^W#/?#%24;6*T@C#AAA )#%K#*K<K #BG.AJ4 ,X IS P]MISSI# 6USE ! MUSIC HYPH5 2T COLUMNS ( FIGURES1 B X M/ N 2 US$ 2T FIGURES 9 ! SAME COLUMN4 #BG.AA4 7#AA-IG7 ,9 FACSIMILE COPY A 4T9C;N %D 2 MADE 2T BRL MUSIC P>5!SES 7,TA# #AG7 & SMALL BRACKETS 7,G4,T474 ,:5 BRACKETS APPE> >.D A S+LE NOTE OR F1TURE1 USE ! SIGN ,'"' ,1 ;2F ! ,G5]AL ,TA#1 Z %[N 9 ,EXAMPLE #BG.AB-A4 ,9 NON-FACSIMILE TRANSCRIP;NS1 MUSIC P>5!SES MAY 2 US$ Z 9 ,EXAMPLE #BG.AB-B4 ,EXAMPLE #BG.AA-A4 %%%#C4 ;>_[[? S#6\@C#6 \Q#7#"'%,16<K ------------------------------------#BGC ,EXAMPLE #BG.AA-B4 %%%.C ;>^Q#,'3,'W#*6?#%K%5<K #BG.AB 7#AA-IG7 ,! DIREC;N 8TA/O SOLO0 IS PLAC$ 2T ^W SIGNS1 ! 5D (! PASSAGE 2+%[N EI 0"S DIREC;N S* Z A#BGC 8A3OMP401 OR 0! SIGN ,'>' ;2REPRES5T+ A SLANT+ /ROKE 9 ! PR9T4 ,EXAMPLE #BG.AB-A4 <.C >TASTO SOLO> ;>_G D!)D!)DGDG _D!)D!)DGD>ACCOMP'_I#6<K ,EXAMPLE #BG.AB-B4 <#B4 >TASTO SOLO> ;>^:FD 7 EGJH _D)!HI>' ^O@C#'#7 O#56#';6<K ------------------------------------#BGD #BG.AC4 ,9 "S SCORES1 SMALL NOTES )\T /EMS >E A4$ 6A FIGUR$ BASS1 S PLAC$ T _! RHY?MIC VALUES C 2 SE5 EASILY4 ,S* NOTES %D 2 WRITT5 )! IN-A3ORD SIGN1 & PREC$$ 0! SIGN = NOTES 9 SMALL TYPE 7,TA# #AG74 ,EXAMPLE #BG.AC-A4 <<#C4 >#L;>^W?#6[#2<>,5":+,5$"-"V ^R'#*K7<9#368#357<K #BG.AD4 ,! FOLL[+ EXAMPLES ILLU/RATE A FIGUR$ BASS ALT]NAT+ )A SOLO PASSAGE4 #BG.AJ--#BG.AD #CBC A#BGD ,EXAMPLE #BG.AD-A4 %%.C D .>'M ;>^JJ_F#6='#46R#4;2%^I#5<7J" _G#46^G#%K5 E .>'X"GJY'O%"I)'NE&'Q<K ;>^JI6\Q<K ------------------------------------#BGE ,EXAMPLE #BG.AD-B4 %%.C I .>"J.&CY"(=(&G'(F'Z _>_(=(&DI_EHI^I AJ .>":VU<K ;>_EDJH#56IHG#6E<K #BG.AE4 ,! SIGNS = TRIPLET1 TURNS1 %ORT APPO7IATURAS1 NOTES 9 L>GE TYPE1 ! %AKE & MORD5T1 ! REP1T &! /A3ATO1 & A35T MAY "S"TS O3UR 9 A PASSAGE ( FIGUR$ BASS4 ,"! IS NO POSSIBIL;Y ( 3FU.N UN.S "O ( ^! SIGNS IMMLY FOLL[S A COLUMN ( FIGURES 9 ! SAME BRL L9E1 9 : CASE X M/ 2 PREC$$ 0! SIGN3 ,'-_4 ,EXAMPLE #BG.AE-A4 .C A#BGE ;>'6_?#6-5)5YW#%6-2I*H#AG#6" ;8^$#%K<K ------------------------------------#BGF ,B4 ,V]TICAL ,=MAT #BG.AF4 ,! HORIZONTAL =MAT ( FIGUR$ BASS IS RECOMM5D$ :5 TRANSCRIB+ ACTUAL -POSI;NS WRITT5 9 ? NOT,N4 7,? HAS BE5 ADEQUATELY DESCRIB$ 9 ,P>4 #BG.A-- #BG.AE47 ,ON ! O!R H&1 ! V]TICAL =MAT IS PREF]A# = !ORY TEXTS1 EXAM9,N PAP]S1 & RELAT$ MAT]IAL ": "! IS ! LIKELIHOOD (A GRT _M M FIGURES 2+ US$4 ,? =MAT REQUIRES A GRT D1L M SPACE1 B IS M EASILY R1D4 #BG.AG4 ,! F/ NUM]AL APPE>S DIRECTLY "U ! BASS NOTE 6: X APPLIES1 )! REMA9+ NUM]ALS 9 A V]TICAL COLUMN Z !Y APPE> 9 PR9T4 ,! NUMB] SIGN O3URS ONLY =! .TOP NUM]AL (! COLUMN1 & ALL NUM]ALS >E WRITT5 9 ! L[] "P (! CELL4 ,A3ID5TALS APPE>+ 9 3JUNC;N ) NUM]ALS >E PLAC$ AF ! NUM]AL1 REG>D.S (! PR9T4 #BG.AE--#BG.AG #CBE A#BGF ,EXAMPLE #BG.AG-A4 >#L^R S<K #9#7 7 5< 3 #BG.AH4 ,": "! IS A *ORD *ANGE ON A SU/A9$ NOTE1 ! HORIZONTAL NUMB]S W 2 GIV5 ) "O OR M HYPH5S 2T !M1 DEP5D+ ^U ! NUMB] ( B1TS 9VOLV$4 ,EXAMPLE #BG.AH-A4 >#L_&' Z'<K #3-6-3 #6-% 4 4 ------------------------------------#BGG #BG.AI4 ,X W 2 OBS]V$ 9 ,EXAMPLE #BG.AG-A T "! >E SPACES 2T ! TWO HALF NOTES 9 ORD] 6ALL[ = PROP] PLACE;T (! NUM]ALS4 ,": ! HORIZONTAL L9E ( FIGURES L1VES TWO OR M BLANK SPACES 9 ! BASS L9E1 ! MUSIC HYPH5 IS US$ 69DICATE T ! M1SURE IS 9COMPLETE4 7,SEE ,EXAMPLE #BG.BJ-A47 ,! 5D (! M1SURE O3URS ": "!IS A SPACE 9 ALL L9ES (! A#BGG P>ALLEL1 Z 9 ,EXAMPLE #BG.BC.A-A4 #BG.BJ4 7#AA-IG7 ,:5 *ORD SYMBOLS1 9DICAT$ 0ROMAN NUM]ALS1 O3UR 2L NOTES1 ONLY ! S+LE CAPITAL SIGN IS US$4 ,ROMAN NUM]ALS MAY 2 -B9$ ) >ABIC NUM]ALS4 ,:5 ? O3URS1 ! >ABIC NUM]ALS %D 2 WRITT5 HORIZONT,Y US+ L[]-CELL NUMB]S 7,EXAMPLE #BG.BJ-A74 ,^! NUMB]S FOLL[ )\T A SPACE1 & NUMB] SIGNS >E US$4 ,IF A *ORD SYMBOL1 S* Z A SMALL CIRCLE OR TRIANGLE APPE>S1 T SYMBOL IS N PREC$$ 0A NUMB] SIGN4 ,X IS PLAC$ AF ! ROMAN NUM]AL & 2F ! NUMB] SIGN IF A NUMB] IS AL PRES5T4 ,:5 P>5!SES O3UR 9 ! H>MONIC ANALYSIS1 ! MUSIC P>5!SES %D 2 US$4 ,EXAMPLE #BG.BJ-A4 >#L_NT" Q<K ,I,V#56,II#6 #BG.BA ,:5 WRIT+ SYMBOLS S* Z ,V#2 & ,I#64 9 A LIT]>Y TEXT1 DOTS #DEF %D 2 PLAC$ 2F PUNCTU,N M>KS T MI<T 2 R1D Z #BG.AH--#BG.BA #CBGL[]-CASE NUM]ALS4 7,SEE ,P>4 B#BGG #F.E47 ,EXAMPLE #BG.BA-A4 ,"H ! BE/ *OICE IS ! ,I#6_4 ,? DEVICE1 H["E1 IS UNNEC :5 A ROMAN NUM]AL IS FOLL[$ 0A PUNCTU,N M>K4 ------------------------------------#BGH ,EXAMPLE #BG.BA-B4 ,=! CAD;E USE ,,II-,V-,I4 #BG.BB4 7#AA-IG7 ,= ALL ILLU/R,NS 9 H>MONY & !ORY TEXTS1 ! 9T]VALS %D R1D UPW>D4 ,:5 9T]VALS O3UR 9 ! "R-H& "P1 USE ! PREFIX ,'.>> 7,TA# #BJ 7,A774 7,SEE ,EXAMPLE #BG.BE-A47 #BG.BC4 ,9 -PLEX EXC]PTS1 S* Z ^? : WD 9VOLVE IN-A3ORDS1 AN OP5 SCORE PRES5T,N IS PREF]A#4 #BG.BC.A4 ,X FREQU5TLY HAPP5S 9 ! ANALYSIS T EXPRES.NS S* Z ,V#6 ( ,,II O3UR4 ,^! >E TR1T$ Z %[N 9 ,EXAMPLE #BG.BC.A-A4 ,OBS]VE T ! *ORDS >E ALIGN$S T ! F/ SIGN APPE>S DIRECTLY "U A#BGH ! BASS NOTE1 & T ! PRACTICE ( BLANK SPACES 2T B>S IS 4REG>D$ 9 ! ANALYSIS L9E (! P>ALLEL4 ,X IS AL ADVISA# 6L1VE A FREE L9E 2T P>ALLELS 9 MAT]IAL S* Z ?4 ,EXAMPLE #BG.BC.A-A4 %%%.C A .>"S W1 ? ''''''' %.O<LV" .>"P $" ? '''''''' "R<LV" _>"N W "$ '''''''' "Q<LV" _>_S \ %[ ''''''' %_T<LV" ,I'V#6,V#6 ( ,II,V#56 ( ,III B'.>'%.: ''''''' .$" "W W :<K .> "\ ''''''' "\'" IHGHF<K _>'%_W ''''''' "DE" $ $ $BK _> _\ ''''''' "D)! HGFEDJ<K ,V#7 ( ,III,III,V#6 ------------------------------------#BGI #BG.BD4 ,:5 ! FIGUR$ BASS &! H>MONIC ANALYSIS >E BO? %[N1 !Y %D BO? 2 9CLUD$ 9 ! TRANSCRIP;N AC 6_! RESPECTIVE =MATS4 #BG.BE4 ,": ALT]NATIVE ANALYSES >E #BG.BB--#BG.BE #CBIGIV5 =! SAME SET ( *ORDS1 ^! >E A#BGI TRANSCRIB$ "O "U ! O!R ) APPROPRIATE ALIGN;T4 ,EXAMPLE #BG.BE-A4 <#D4 .>>"!+ "(+<K _> _Z"+ _(9<K ;,F3 ;VI#7 ;,B<3;VI ;,B<3;III#7 ;,F3 ;II ------------------------------------#BHJ ,EXAMPLE #BG.BE-B4 %%#D4 >#L_Q" R P" %O<K #6 #6 #6 #6 5 4 5 3 3 ,I#6,II#56,V#34,V#56 ( ,II #BG.BF4 ,9 "S TEXTS & SCORES ! PLUS SIGN 7L ! OBLIQUE L9E7 IS US$ 69DICATE A *ROMATIC ALT],N4 ,! PLUS SIGN1 DOTS #CDF1 IS US$4 ,! NEXT TWO EXAMPLES ILLU/RATE1 RESPECTIVELY1 ! HORIZONTAL & V]TICAL PLACE;T ( ? SIGN4 ,EXAMPLE #BG.BF-A4 A#BHJ >#L_P1 ^P !<K ,I#46,V#+K7 ,I+ ------------------------------------#BHA ,EXAMPLE #BG.BF-B4 >#L_N" W W !<K #5-6 #6#6+ 3-4+ 4 4 2 3 ,G5]AL ,EXAMPLES ,EXAMPLE #BG.BF-C4 #D%#F8 >#L^\%I%WD L \G : F L ]'%%]' L R'<K #7#6 %K#;4#7#4 #3-7#7--6 % 5--5 3%-% #BG.BF #CCA ,EXAMPLE #BG.BF-D4 <#B4 #BHB >#L_: F G L \ G%G L H%HI<J #;6#6 #;4#6#7< #7 #6 5 3 5* * >#L'*_\G F L O<K' #;4#6#;6 3 5 ,,=MATS ,,( ,,KEYBO>D #BHC ,,MUSIC ,,9TRODUC;N ,9 ALL TYPES ( MUSIC1 :E!R VOCAL OR 9/RU;TAL1 ! PR9T SCORE IS SET \ 9 S* A MANN] T ! EYE C TAKE 9 S"EAL /AVES TGR1 OR "O /AVE AT A "T1 OR ELSE A "PICUL> MELODIC OR H>MONIC L9E 0XF1 Z ! R1D] WI%ES4 ,9 BRL1 ! F+]S C R1D ONLY "O1 OR AT MO/ TWO1 SIGNS AT A "T AC 6:E!R "O OR BO? H&S >E US$4 ,X IS1 "!=E1 ( SPECIAL 3C]N 6! BL R1D] & 6! TRANSCRIB]1 T A SATISFACTORY PLAN C 2 F.D =! >RANGE;T (! MUSIC TEXT ON ! BRL PAGE4 ,! PRO#M RESOLVES XF 96! ALT]NATIVES ( 7#A7 FOLL[+ ! MUSIC ( "O "P AT A "T & 7#B7 ATTEMPT+ 0M1NS ( %ORT SEC;NS = EA* "P--! M1SURE 2+ A 3V5I5T UNIT--6R1D "O "P ALT]NATELY ) ANO!R1 MEMORIZ+ ! F/ SU6ICI5TLY 6BE A# 6-B9E X )! NEXT1 & S ON4 ,! DI6ICULTY IS 9CR1S$ 0! FACT T1 :5 BO? H&S >E US$ = R1D+1 X IS IMPOSSI# 6R1D & PLAY AT ! SAME "T4 ,=MATS ( ,KEYBO>D1 ,9TRO #CCC ,! E>LY HI/ORY ( BRL MUSIC A#BHC NOT,N %[S T ! F/ ( ^! ALT]NATIVES 0 *OS5 Z ! MO/ PRACTICAL L9E ( DEVELOP;T1 ! RESULT F9,Y EM]G+ Z A SCORE 9 :1 = KEYBO>D 9/RU;TS1 ! MUSIC =! "R H& 0 GIV5 F/1 FOLL[$ 0T =! LEFT H&1 &1 9 ORGAN MUSIC1 0T =! P$ALS4 ,O3A.N,Y 7IN VOCAL MUSIC 9V>IABLY7 ! :OLE (A PIECE OR MOVE;T 0 GIV5 ?US 9 EA* "P2 M USU,Y A NUMB] ( M1SURES *OS5 0! TRANSCRIB] ON MUSICAL GR.DS 0 MADE ! UNIT (! P>AGRAPH4 ,AT ! 2G9N+ (! PRES5T C5TURY "! 0 A GRADUAL REAC;N 9 "S C.TRIES AG/ ? 4POSI;N (! SCORE ON ! GR.DS T X PREV5T$ ! R1D] F OBTA9+ AN IMM & -PLETE S.D-PICTURE ( EA* M1SURE1 & S EXP]I;TS 7 TRI$ )! SECOND ALT]NATIVE1 : RESULT$ 9 ?REE 4T9CT ME?ODS ( PRES5T,N3 7#A7 ,! WRIT+ (! -PLETE SCORE AT ONCE 7SEE 8,V]TICAL ,SCORE0 9 ,APP5DIX72 7#B7 ,! WRIT+ (A M1SURE ( "O H& FOLL[$ 0XS C.T]"P 9 ! O!R 7SEE 8,B>-BY-,B>0 9 ,APP5DIX72 7#C7 ,! PLAC+ (! "PS 9 P>ALLEL L9ES Z 9 PR9T4 ,( ^! ME?ODS1 ! ?IRD HAS PROV$ #BHD 6BE ! MO/ CAPA# ( DEVELOP;T1 BRAN*+ \ 96! FOLL[+ =MS3 7A7 B>-OV]-B>2 7B7 C.T-OV]-C.T2 7C7 OP5 SCORE 7IN : EA* MELODIC L9E OR 8VOICE0 IS GIV5 SEP>ATELY1 B>-OV]-B>72 & 7D7 L9E-OV]-L9E1 A R\< APPROXIM,N ( B>-OV]-B>4 ------------------------------------#BHE #BH4 ,,ME?ODS ,,( ,,PRES5T,N ,B>-,OV]-,B> #BH.A4 ,:5 MUSIC = KEYBO>D 9/RU;TS OR O!R 5SEM#S IS WRITT5 9 ? /YLE1 TWO OR M L9ES >E GR\P$ TGR1 AC 6! NUMB] ( /AVES S GR\P$ 9 ! PR9T4 ,^! GR\PS ( /AVES >E "KN Z 8P>ALLELS01 A T]M : IS "H US$ = BO? PR9T & BRL GR\PS4 ,?US 9 PIANO MUSIC A P>ALLEL W NORM,Y 3SI/ ( TWO L9ES1 9 ORGAN MUSIC ( ?REE1 9 A QU>TET ( F\R1 & S ON4 ,? DIVI.N (! SCORE REMA9S 3/ANT "?\T1 #BH4 ,ME?ODS ( PRES5T,N #CCE& ONLY "U SPECIAL CIRCUM/.ES A#BHE 7SEE ,P>4 #BH.AD FF47 MAY M ?AN "O L9E ( MUSIC 2 GIV5 6"O H& OR "P 9 ! SAME P>ALLEL4 #BH.B ,9 KEYBO>D MUSIC1 H& OR FOOT SIGNS >E PLAC$ 2F _! RESPECTIVE L9ES 9 E P>ALLEL4 7,= TWO-PIANO =MAT1 SEE ,P>4 #BH.BB & ,EXAMPLE #BH.BB-A47 #BH.C4 ,! F/ NOTE ( E M1SURE 9 KEYBO>D MUSIC &( E P>ALLEL 9 ALL MUSIC M/ 2 GIV5 XS APPROPRIATE OCTAVE M>K 9 ALL "PS1 )\T REG>D 6! OCTAVE RULES PREVI\SLY GIV54 ,EXAMPLE #BH.C-A4 <<_C J .>.\JI .WHE[%GE .R$DI .:JH" _>^\_: _\W?: "FGFEDJID _JIHJ" C'.>.DI.: "6"WIH<K _>_IH%GE _\:<K ------------------------------------#BHF #BH.D4 ,! ABV EXAMPLE DEMON/RATES ! V IMPORTANT RULE T :5 A M1SURE _C 2 -PLET$ 9 ALL "PS 9 ! L9E 9 : X 2G9S1 X M/ 2 DIVID$ AT EXACTLY ! SAME PO9T 9 E "P4 ,Z ! OBS]V.E ( ? RULE 9 -PLICAT$ MUSIC IS LIKELY 6L1D 6AWKW>D SITU,NS =!TRANSCRIB]1 A M1SURE %D N"E 2 A#BHF 2GUN NE> ! 5D (A P>ALLEL UN.S A SUITA# PO9T ( DIVI.N C EASILY 2 F.D 9 ALL "PS4 #BH.E4 7#AA-IG7 ,! A2REVI,NS 9 ,TA# #AH 7,B7 & ^WS 2T ^W SIGNS %D1 ": POSSI#1 2 TR1T$ 9DEP5D5TLY ( V]TICAL ALIGN;T1 B Z X IS (T5 IMPOSSI# 6-PLETE A M1SURE 7OR A SUITA# POR;N ( X7 9 ! L9E :5 ? IS D"O1 ^! A2REVI,NS & DIREC;NS %D !N 2 9CLUD$ 9 ! ALIGN;T1 ) AN ADJU/;T ( NO M ?AN TWO SPACES 2+ P]MITT$ ": NEC4 ,EXAMPLE #BH.E-A4 #F8 .>")DJDIJ '''''''''' >PP_?8W+98?#0<K _>'%^ECGE >SENZA PED'> 8^$8\8$<K #BH.E.A4 ,DYNAMICS >E PLAC$ 9 ! "R-H& "P IF !Y APPLY 6BO? H&S4 ,:5 A NEW DYNAMIC APPLIES 6BO? H&S B APPE>S 9 PR9T AT A PO9T ": ! "R-H& "P HAS A RE/ OR IS HOLD+ A *ORD 7OR NOTE71 T DYNAMIC %D 2 PLAC$ 9 ! LEFT-H& "P (! BRL SCORE & !N REP1T$ 9 ! "R-H& "P AT ! NEXT OPPORTUN;Y4 #BH.B--#BH.E.A #CCG #BH.F4 ,X W 2 OBS]V$ T ! BLANK B#BHF "P (! "R-H& L9E ABV IS FILL$ BY 8TRACK] L9ES0 ( DOTS2 ? %D 2 D"O :5"E ! BLANK SPACE EXCE$S SIX CELLS4 #BH.G4 ,M1SURES >E NUMB]$ AT ! 2G9N+ ( E P>ALLEL1 ! NUMB] 2+ PLAC$ )\T NUM]AL PREFIX 9 ! F/ CELL OR CELLS (! F/ L9E (! P>ALLEL 7IN KEYBO>D MUSIC ! "R-H& L9E74 ,IF ! PIECE 2G9S ) AN 9COMPLETE M1SURE1 ! BRL CIPH] O3UPIES ? POSI;N4 7,= NUMB]+ ( UNM1SUR$ MUSIC SEE ,P>4 #BH.BD47 ------------------------------------#BHG #BH.H4 ,:5 A M1SURE IS DIVID$ &! REMNANT IS C>RI$ OV] 96A NEW P>ALLEL1 ! NUMB] ( T M1SURE 9 ! NEW P>ALLEL M/ 2 FOLL[$ 0DOT #C4 ,9 ORD] 6SECURE A V]TICAL ALIGN;T ( H& SIGNS1 X IS1 "!=E1 NEC ALW 6L1VE A BLANK SPACE 2T ! NUMB] &! H& SIGN ": DOT #C IS N US$4 ,EXAMPLE #BH.H-A4 <<_C J .>.\JI .WHE[%GE .R$DI .:JH" _>^\_: _\W?: "FGFEDJID _JIHJ" C'.>.DI.: "6"WIH<K _>_IH%GE _\:<K #BH.I4 ,A P>ALLEL M/ ALW 2 A#BHG -PLET$ ON ! PAGE ON : X 2G9S4 7,B SEE ,P>4 #BF.AE.A47 #BH.AJ4 ,! BRL SEGNO & DA CAPO >E N"E US$ 9 8B>-OV]-B>01 2+ REPLAC$ 0! USE ( M1SURE NUMB]S4 7,SEE ,P>4 #AF.BC-- #AF.BD.A74 ,"PIAL A2REVI,N %D ONLY 2 US$ :5 ! ORIG9AL PASSAGE & XS REPETI;N O3UR 9 ! SAME P>ALLEL4 ------------------------------------#BHH ,EXAMPLE #BH.AJ-A4 <<<.C J .>_J "&=HHGIH_JI "(&G_IH"EFX_J _>'X M ''''''''' M ^>'X ^$$$\ ''''' ^[W$V C .>'#1 "(&G_IH"EDXJ<K _>'M M<K ^>'#1 #2<K #BH.AA4 ,9T]VALS & IN-A3ORDS >E R1D D[NW>D 9 ! "R-H& "P & UPW>D 9 ! LEFT-H& & P$AL "PS4 ,EXAMPLE #BH.AA-A4 #D<#C4 J .>'>P'8"[00 "WKBC\1V "[KBC]10;B]L# #BH.F--#BH.AA #CCI _> V VV_] VV_]1++B A#BHH C .>'*"$+]#\9 "WC[^2"1"N<K _>_\]*$ _Q+<K ------------------------------------#BHI #BH.AA.A4 7#AA-IG7 ,IF X IS DESIR$ 6REV]SE ! R1D+ ( 9T]VALS 9 EI H&1 ! H& SIGNS = REV]S$ DIREC;NS 7,TA# #BJ 7,A77 M/ 2 US$4 ,SEE ,EXAMPLE #BD.BA-A 7A74 #BH.AB4 ,! "P = "O H& "S"TS MOVES TEMPOR>ILY 96! /AFF ALLOTT$ =! O!R4 ,": CLEF SIGNS >E N US$1 ? FACT NE$ N 2 NOT$ 9 ! BRL TRANSCRIP;N1 B ": CLEF SIGNS >E US$1 ! MODIFI$ CLEFS 7,TA# #C1 ,P>4 #C.C7 M/ 2 9S]T$4 ,! DIREC;N 9 : 9T]VALS & IN-A3ORDS >E R1D IS UNA6ECT$ 0^! SPECIAL CLEF SIGNS4 ,EXAMPLE #BH.AB-A4 #F8 HI .>'>/L'X.JC%++D+ECF _>'>#L"E>/K.E+CD+>#L_J>/K"J+CI+ IJ .>'>/L'X88;GFED8J%+<K _>'>#L'%_H>/K'88%"H++IJD8E+<K #BH.AC4 ,": A M1SURE : 2G9S AT #BIJ ! -M;E;T (A L9E _C 2 -PLET$ 9 T L9E1 & _C 2 EASILY DIVID$ AT ! SAME PO9T 9 ALL "PS1 X MAY 2 -PLET$ 9 ! FOLL[+ L9E OR L9ES4 ,^! L9ES %D 2 FUR!R 9D5T$ TWO SPACES4 ,! F/ NOTE 9 EA* 9D5T$ L9E M/ H A SPECIAL OCTAVE M>K4 ,EXAMPLE #BH.AC-A4 <#I8 E .>"FL_A'HK_AEB.K%"DFHLJKIH"1 "%"?'@C7<K _>@C_O'#.C:'#<>"V"X_P'<K #BH.AD4 ,": 7Z 9 ! FOLL[+ EXAMPLE7 ! MUSIC ?9S \ 96A S+LE "P %>$ 2T ! H&S1 ! SECOND & SU3E$+ L9ES 9 ! P>ALLEL >E 9D5T$ TWO EXTRA SPACES1 )\T H& SIGNS 7UN.S ^! >E REQUIR$ =! PASSAGE XF71 & )\T M>G9AL M1SURE NUMB]S4 ,! F/ NOTE 9 EA* 9D5T$ L9E M/ H A SPECIAL OCTAVE M>K4 #BH.AA.A--#BH.AD #CDA ,EXAMPLE #BH.AD-A4 <#D4 A#BIJ FF .>.=HGFZ_>.D*JI)HJE.>.=IGE _>.EXVU FG _>'*")HJE.>.=IGE>SIM'<")HJD&HFD ")HJD&HFD!GIDZGEJ "!GIDZGEJ" "(FHJ%YFDJ "(FHJ%YFDJ" GJ'.>'M.IHI=IFI<K _>"I%DE"H<K ------------------------------------#BIA #BH.AE4 ,": "O (! "PS 7USU,Y ! P$AL "P 9 ORGAN MUSIC7 HAS M ?AN T5 M1SURES' RE/1 ? "P IS TEMPOR>ILY OMITT$4 ,AN A/]ISK M/ 2 PLAC$ AT ! PO9T ( OMIS.N1 ! NUMB] ( M1SURES' RE/ 2+ GIV5 9 A FOOTNOTE4 #BH.AF4 ,9 MUSIC = 2G9N]S1 FREE L9ES %D 2 LEFT 2T P>ALLELS4 ------------------------------------#BIB #BH.AG4 7#AA-IG7 ,LIT]>Y DIREC;NS = EXPRES.N T O3UR 2T ^W SIGNS AT ! -M;E;T (A BRL L9E MAY = 3V5I;E 2 PLAC$ 9 A FREE L9E ABV ! "P A6ECT$1 B ? PLAN IS N RECOMM5D$ = S* DIREC;NS :5 !Y O3UR AT ANY O!R PO9T 9 ! L9E4 ,9 S* CASES1 V]TICAL ALIGN;T 2T ! H&S IS 4REG>D$4 ,EXAMPLE #BH.AG-A4 <#F8 A#BIB >SOTTO VOCE> J .>;B.DL?D .?D?^2;BD1 .?L+AD+?/D/ >SEMPRE SOSTENUTO E LEGATISSIMO> _>'<C"DB?D "?D7*C _]99AG]G C .>.F'.ZDL]KE1<>"WAJB[BG<K _>_]G]9J<K #BH.AH4 ,9 3TRAPUNTAL MUSIC = KEYBO>D 9/RU;TS ! MUSIC C (T5 2 WRITT5 9 A /YLE CLOSELY RESEMBL+ PR9T OP5 SCORE1 9 : X IS EASY 6R1D ! "PS SEP>ATELY OR 6-B9E !M4 ,! H& SIGNS AT ! 2G9N+ ( EA* L9E (! P>ALLEL >E A SU6ICI5T GUIDE 6! R1D]1 &! NUMB] ( L9ES 9 ! P>ALLEL MAY 2 V>I$1 Z EXPLA9$ 9 ,P>4 #BH.AD4 ------------------------------------#BIC ,EXAMPLE #BH.AH-A4 <<.C DC .>.EG"H*.F"=I.E*J%Y&I .>"=I_>"EG*&H%DFZG_I"E&H_ID _>_E"X"VU DD .>.=H*FGZGFE%YZ*)YI.Z"!<K _>"ZG_I"E_=IEG^!%D*FH=IEG<K #BH.AE--#BH.AH #CDC ,7,X IS N NEC 6FOLL[ ! RULE A#BIC 3C]N+ AN A/]ISK & FOOTNOTE GIV5 9 ,P>4 #BH.AE :5 RE/S >E N GIV5 9 ! PR9T 9 S* PASSAGES47' #BH.AI4 ,! TRANSCRIP;N ( MUSIC 9 OP5 SCORE F A TWO-/AVE PR9T ORIG9AL REQUIRES 4CRE;N & S.D K1 S9CE ! 4POSI;N ( VOICES1 :ILE SU6ICI5TLY EXACT =! SEE+ P]=M]1 IS (T5 F> F CLE> 9 3TRAPUNTAL DETAIL = TR1T;T 9 OP5 SCORE4 #BH.BJ4 ,X IS FREQU5TLY NEC 9 ! FLORID MUSIC ( ,*OP9 & O!R -POS]S =! PIANO1 69DICATE ! CO9CID;E ( "PICUL> NOTES 9 EA* "P4 ,? C 2 D"O 9 "O ( TWO WAYS3 ------------------------------------#BID ,EXAMPLE #BH.BJ-A4 7A7 ! SIGN ,';2 ;2MAY 2 PLAC$ 2F S* NOTES 9 EA* "P4 #E<#F4 C .>;B_22'.GA<HL*FB;2GAJ1*I<I" ;2*.H<HLGF" _>;B^J_G;2"EJ;2"G_G^2" C'.>;2<.F1*E<ED;2E1DL*JA;2DBGK" *.F<F^2<K _>;B;2^J_G;2"F*_I;2"G_G^2<K A#BID 7B7 ! NOTES MAY 2 V]TIC,Y ALIGN$ 9 EA* H&1 ?US3 #E<#F4 C .>;B_22'.GA<HL*FBGAJ1*I<I*H<HLGF" _> ;B^J_G "EJ "G_G^2" C'.>'<.F1*E<EDE1DL*JADBGK*F<F^2<K _>;B^J_G "F*_I "G_G^2<K ------------------------------------#BIE #BH.BA4 ,Z 9 ! FOLL[+ EXAMPLE1 X MAY "S"TS 2 ADVISA# 6-B9E ME?OD 7B7 ) T ( OP5 SCORE4 ,EXAMPLE #BH.BA-A4 #E%#C4 BB .> _5',PKD1FDI_5'RBFAD1ILHB" _> "!C(C 5ICRUUP" _>'<C>K_N" BB'.>_6'.PAN1SLRBPA>SF"N@CD%%D<K _>.8"DX ''''''''''' .>_$/#<K _> '''''''''''''''' *C@]-<K #BH.BB4 ,9 ! TRANSCRIP;N ( MUSIC = TWO PIANOS1 "! >E TWO POSSIBILITIES3 7A7 EA* PIANO "P MAY 2 TRANSCRIB$ SEP>ATELY2 7B7 #BH.AI--#BH.BB #CDE! TWO PIANO "PS MAY 2 -B9$ 96AN A#BIE EXP&$ B>-OV]-B> =MAT4 ,9 ! LATT] CASE1 ! H& SIGNS = EA* PIANO "P >E IMMLY FOLL[$ 0_! APPROPRIATE NUM]ALS1 WRITT5 9 ! L[] "P (! CELL4 ,IF ! SECOND PIANO "P IS AN OR*E/RAL REDUC;N1 EXTRA L9ES MAY 2 A4$ 6! P>ALLEL1 %[+ ! MUSIC = A4I;NAL 9/RU;TS4 ,IF SPECIFIC 9/RU;T,N IS 6BE %[N1 SUITA# A2REVI,NS MAY 2 US$ 9 ! MUSIC TEXT1 PREC$$ 0^W SIGNS4 ,A2REVI,NS %D 2 LI/$ SEP>ATELY4 ,9/RU;TAL L9ES A4$ 6! P>ALLEL MAY -M;E EI )A CLEF SIGN OR )A SOLO SIGN4 ------------------------------------#BIF ,EXAMPLE #BH.BB-A4 #D4 >A TEMPO' FF'> EHJ .>'X.I#--%H+%G9F#"J9I#H+%-<K _>1'X%"D+%--J#I9%H+%E%DJ-<K _>1@@)-<>.N^)<K .>2.J%+9-"W.1.W"JCC%%.G%%--%H" .J'C;&-<K _>2'X>TROMBE'_I9%00%H+I9\+I9J#%0<K _>2'>TRB'@)-<K >/L'>CORNI'2"WI_6'%(IHIJD2J'!H" _6'%"=FEFGH<K #BIG ,L9E-,OV]-,L9E #BH.BC4 ,? ME?OD DI6]S F 8B>-OV]-B>0 9 ONLY ?REE RESPECTS3 7#A7 ! PR9CIPLE ( V]TICAL ALIGN;T IS 4REG>D$2 7#B7 X IS N NEC 6PUT SPECIAL OCTAVE M>KS =! F/ NOTES ( M1SURES2 7#C7 ! REGUL>;Y ( P>ALLELS MAY 2 9T]RUPT$ :5 "O (! "PS HAS REP1TS OR RE/S CORRESPOND+ 6M ?AN "O BRL L9E ( MUSIC 9 ! O!R "P OR "PS4 ,! FOLL[+ EXAMPLES ILLU/RATE ^! PO9TS3 ,EXAMPLE #BH.BC-A4 7#A7 & 7#B7 <#C4 A .>"GH6\'=( IJ?] "IJ?: T'<K _>_]FEFD ]^GHIJ DEFH%GI HIJIHG<K ------------------------------------#BIH ,EXAMPLE #BH.BC-B4 7#C7 .C ADF .>_JXX)YEXX2ZF%G HXX(!J)YE2ZF%G .HXX2"Z&%=HXX(! JXX)YE2Z&%=H(! .JXX2.ZF%G\X(! WX)YE)YEZ&<K _>@C@(^DJI777 7#E<K #BH.BC #CDG A#BIH ,EXAMPLE #BH.BC-C4 #B4 ACF .>'M_HJE(JI%G (_JEH)EDI )HJE" .(JI%G (JID)E%DF ZGFH=IHF 7 ;ZGFD)EDI (JIG&HGE<K _>.\V #GM<K ------------------------------------#BII ,! REMA9+ RULES = 8B>-OV]-B>0 APPLY EQU,Y TO 8L9E-OV]-L9E04 #BH.BD4 ,9 ! TRANSCRIP;N ( UNM1SUR$ MUSIC1 M>G9AL NUMB]+ C 2 GE>$ 6/AVE NUMB]+4 ,L9E-OV]-L9E =MAT MAY 2 US$1 NUMB]+ EA* P>ALLEL AC 6/AVES4 ,=! SAKE ( CL>;Y1 X MAY 2 NEC 6USE EI CO9CID;E SIGNS OR B1T-OV]-B1T4 7,SEE ,P>4 #BH.BA & ,EXAMPLE #BH.BJ-A & #BH.BA-A47 #BH.BE4 7#AA-IG7 ,IF )9 A PIECE "! IS AN UNM1SUR$ POR;N T IS CLE>LY NEI A CAD5ZA NOR AN 8AD LIB401 S* PASSAGE %D 2 ID5TIFI$ Z 8UNM1SUR$0 & RESUMP;N ( M1SUR$ MUSIC ID5TIFI$ 0! ^W 8M1SUR$04 ,CO9CID;E SIGNS OR B1T-OV]-B1T CD AL 2 EMPLOY$4 ,9 ANY CASE1 A TRANSCRIB]'S NOTE W 2 NE$$ 6EXPLA9 ! UNUSUAL =MAT4 ,,APP5DIX #CJJ-CJA ,! 5SU+ =MATS >E 9CLUD$ SOLELY = REF];E PURPOSES 09T]E/$ MUSICIANS OR 0^? :O MAY NE$ 6REF] 6MUSIC PR9T$ 9 O!R C.TRIES OR 9 OLD]1 EXP]I;TAL =MS4 ,!Y %D N 2 UTILIZ$ =! CURR5T TRANSCRIP;N ( BRL MUSIC 9 ,NOR? ,AM]ICA4 #BI4 ,,SEC;N-BY-SEC;N #BI.A4 ,? ME?OD 3SI/S (! PRES5T,N (A 3V5I5T GR\P ( M1SURES = EA* (! "PS 9 TURN1 ! ORD] 2+ "R H&1 LEFT H&1 &1 9 ORGAN MUSIC1 P$ALS4 #BI.B4 ,! L5G? ( ^! GR\PS OR SEC;NS IS DET]M9$ 0! TRANSCRIB]1 EI AC 6! 3T\R (! MUSIC XF1 OR ELSE ! NUMB] ( M1SURES 9 ! PR9T /AVE4 #BI.C4 ,! TABUL,N ( 8SEC;N-BY-SEC;N0 IS SIMIL> 6T ( 8L9E-OV]-L9E01 I4E41 ! H& & FOOT SIGNS APPE> 9 V]TICAL ALIGN;T AT ! LEFT SIDE (! PAGE1 ! REMA9+ L9ES (! MUSIC TEXT 2+ 9D5T$ TWO SPACES4 ,APP5DIX2 #BI ,SEC;N-BY-SEC;N #CDI ,EXAMPLE #BI.C-A4 <#C4 #CJB .>"GG"1V .DDEF]<>"]'H] .?"GG.DD<> "\GX]@C .EF]?<>"GH](%GHI "J')JI" "JE<>"\H%GHI .?JJII<>"JF@C&GFE" "Y<FED "HH.:?<>"ZG*FE&HGF=HG<F .E'ZDGGF<>"Z*FGH[\ .Q'<>"=HGF" "=JIH[<K _>_!JIH !HIG)IJH!HI*J Y<JIH!JIH" _!HIG )IJH!HI*J? Z<FE%DZDE*D)DJI _()!(GH[ *W<W[ M_DEF=HIJYEDJ _!JIH!"EDJ?<K ^>'V ^G_GGGGE $]^G_G GGGEFD ^H_HHH" _H*G FDEFGG ^G_GGGGG ^J_JIG? ]^Q<K ------------------------------------#CJC #BI.D4 ,IF M1SURES >E NUMB]$ 9 ! PR9T TEXT1 ! NUMB]S 7WRITT5 9 ! UPP] "P (! CELL )\T NUM]AL PREFIX7 M/ 2 PLAC$ 2T ! M1SURES )A BLANK SPACE ON EI SIDE4 ,EXAMPLE #BI.D-A4 <#C4 .>"GG"1V A .DDEF]<>"]'H] B #BI.E4 ,! F/ M1SURE 9 A SEC;N DOES N REQUIRE A NUMB]1 S9CE ? NUMB] IS GIV5 9! H1D+ (! SEC;N 7SEE 2L74 A#CJC #BI.F4 ,A FREE L9E M/ 2 LEFT ABV ! F/ L9E ( EA* SEC;N4 ,9 ? L9E ! S]IAL NUMB] (! SEC;N1 ! NUMB]S (! M1SURES 3TA9$ 9 T SEC;N1 &! NUMB]S (! PR9T PAGE & /AVE 7OR /AVES7 = T SEC;N M/ 2 C5TRALIZ$ 9 ? ORD]4 ,! M1SURE NUMB]S >E WRITT5 9 ! L[] "P (! CELL & >E SEP>AT$ F EA* O!R 0DOTS #CF2 ! PAGE & /AVE NUMB]S >E WRITT5 9 ! UPP] "P (! CELL 7PREC$$ 0! SIGN ,'"3_7 & >E SEP>AT$ F EA* O!R 0DOT #C4 ,IF M ?AN "O /AVE IS 9DICAT$1 ! /AVE NUMB]S >E SEP>AT$ F EA* O!R 0! SIGN ,'-_4 ,EXAMPLE #BI.F-A4 #A #1-8 "3#A'A 7,SEC;N #A4 M1SURES #A-H1 PAGE #A1 /AFF #A47 #BI.G4 ,IF A SEC;N -M;ES OR 3CLUDES ) AN 9COMPLETE M1SURE1 ! M1SURE NUMB]S 9 ! H1D+ M/ 2 FOLL[$ 0DOT #C )\T AN 9T]V5+ SPACE1 & IF ! F/ SEC;N -M;ES ) AN #BI.D--#BI.G #CEA9COMPLETE M1SURE1 ! BRL CIPH]1 B#CJC WRITT5 9 ! L[] "P (! CELL1 REPLACES ! NUMB]4 ------------------------------------#CJD ,EXAMPLE #BI.G-A4 7A7 #B #8'-16' "3#A'B-C 7,SEC;N #B1 2G9N+ 9 ! MI4LE ( M1SURE #H1 5D+ 9 ! MI4LE ( M1SURE #AF1 PAGE #A1 /AVES #B & #C47 7B7 #A #0-8' "3#A'A 7,SEC;N #A1 2G9N+ ) 9COMPLETE M1SURE1 5D+ 9 ! MI4LE ( M1SURE #H1 PAGE #A1 /AVE #A47 #BI.H4 ,:5 SEC;NS >E >RANG$ 9DEP5D5TLY (! PR9T /AVES1 A *ANGE ( /AVE IS %[N 0! SIGN ,'3L ;2PLAC$ 2T M1SURES4 ,EXAMPLE #BI.H-A4 <#C4 .>.?"GG.DD<>"\GX]@C 3L .EF]?<>"GH]" "(%GHI<K ,IF ! M1SURES >E NUMB]$1 ! A#CJD M1SURE NUMB] FOLL[S ? SIGN4 #BI.I4 7#AA-IG7 ,EXPRES.N M>KS REPRES5T$ 0^WS OR A2REVI,NS1 %D 2 PLAC$ 9 ! "R-H& "P UN.S !Y OBVI\SLY APPLY 6! LEFT-H& OR P$AL "PS1 & PIANO P$ALL+ %D 2 TR1T$ Z EXPLA9$ 9 ,P>4 #BJ.F4 #BI.AJ4 ,MUSIC %>$ 2T ! H&S %D 2 TR1T$ Z %[N 9 ,P>4 #BJ.D--#BJ.D.A4 #BI.AA4 ,Z M1SURE NUMB]S %D ALW 2 GIV5 9 ! SEC;N H1D+1 ! SY/EM ( REP1TS 0M1SURE NUMB]S EXPLA9$ 9 ,P>4 #AF.BC.A--#AF.BD.A IS RECOMM5D$ = ? /YLE4 ------------------------------------#CJE #BI.AB4 ,A FUR!R ME?OD ( A2REVI,N IS 0! USE (! 8SEGNO04 ,? DI6]S F "PIAL A2REVI,N 9 TWO WAYS3 7A7 ! PASSAGE 6BE REP1T$ MAY 2 ( ANY L5G? PROVID+ X DOES N EXCE$ ! L5G? (A SEC;N2 7B7 ! REPETI;N MAY 2 AT ANY 4T.E F ! ORIG9AL PASSAGE4 #BI.AC4 ,9 VOCAL MUSIC1 ! M1SURES M/ 2 NUMB]$1 &! NUMB] (! F/ M1SURE 9 EA* SEC;N M/ 2 PLAC$ AT ! -M;E;T (! F/ L9E ( #BI.H--#BI.AC #CEC^WS 9 T SEC;N4 A#CJE #BI.AD4 ,9 VOCAL A3OMPANI;TS1 AN \TL9E (! VOICE "P %D 2 9CLUD$ 6ASSI/ ! PLAY] 9 MEMORIZ+ 8 "P2 ! VOICE "P M/ 2 GIV5 AF AN IN-A3ORD SIGN 9 ! "R-H& "P1 ! SIGN ,'"> ;22+ M>K$ 9 E M1SURE4 ,ONLY NOTES1 TIES & RE/S %D 2 GIV5 9 ? \TL9E4 ,EXAMPLE #BI.AD-A4 ,ME?OD3 ,SEC;N- BY-,SEC;N <.C .>'X"1">'X V"?+-"[0-7<>">'M .?+-7" .[0-7<>">'UVX"D ;?+777<>.DGGFFE" .ED<>">"?"[?'"D ;?/777<>.DHHFFEED<> ">"D'&FH.?X"H<K _>@G- ]'-G-7 7#C<K ------------------------------------#CJF #CJ4 ,,V]TICAL ,,SCORE & #CJG ,,B>-BY-B>4 #CJ.A4 ,^! TWO SY/EMS 7 EXCLUSIVELY US$ 9 ! ,UNIT$ ,K+DOM F AB #AIAE 6AB #AIFJ1 & AL? !Y 7 REJECT$ 0! ,P>IS ,3F];E ( #AIED1 ! V 3SID]A# PRODUC;N ( BRL MUSIC 9 ! ,UNIT$ ,K+DOM R5D]S A DESCRIP;N ( !M NEC4 ,C]TA9 M9OR DETAILS ( PROC$URE T5D$ 6V>Y UP 6! PUBLIC,N ( 8,KEY 6! ,BRL ,MUSIC ,NOT,N #AIBB0 0! ,ROYAL ,N,NAL ,9/ITUTE =! ,BL1 ,LONDON1 & "O OR TWO *ANGES 7 AL BR"\ AB 0! ,P>IS ,3F];E ( #AIBI4 ,X IS N 3SID]$ ESS5TIAL 6G 96DETAILS 3C]N+ ^! V>I,NS1 &! TWO SY/EMS >E "H DESCRIB$ Z !Y 7 PRES5T$ 6! ,P>IS ,3F];E ( #AIED4 ,V]TICAL ,SCORE #CJ.B4 ,Z XS "N SU7E/S1 ? ME?OD IS A -PLETE PRES5T,N (! SCORE 9 EA* M1SURE 0! USE ( 9T]VALS OR IN-A3ORDS OR BO?1 &! MUSIC IS ALW R1D F ! L[E/ "P UPW>D4 #CJ.C4 ,! ME?OD IS *IEFLY US$ Z A H&Y #BI.AD--#CJ4 ,V]TICAL SCORE #CEE-PRES.N ( OP5 SCORE 9 VOCAL A#CJG MUSIC =! B5EFIT ( ORGANI/S & *OIRMA/]S1 &= HYMN TUNES &! A3OMPANI;TS ( SIMPLE AN!MS & "P S;GS4 #CJ.D4 ,NO OCTAVE SIGNS >E US$ =! F/ NOTES ( M1SURES UN.S REQUIR$ 0! RULES GIV5 9 ,P>4 #B.A--#B.G1 #AJ.A1 #AJ.C4 #CJ.E4 ,! SIGN ,'L ;2IS ALW US$ 6%[ ! MEET+ ( TWO OR M "PS ON ! SAME NOTE :5 ^! C 2 EXPRESS$ Z 9T]VALS4 ,EXAMPLE #CJ.E-A4 %%.C _WL+9,0 ]+0+\L9+.K_E++FGH+"1":EF"1 "[.: _[L0,3"1.:.K^["9-+_:"+9-<K ------------------------------------#CJH #CJ.F4 ,:51 Z 9 ORGAN A3OMPANI;TS1 H& & FOOT SIGNS >E US$1 !Y >E N RE-M>K$ 9 E *ORD S L;G Z ! NUMB] ( NOTES ASSIGN$ 6EA* 9 ! F/ *ORD REMA9S ! SAME4 ,:5 *ANGES ( 4POSI;N O3UR1 ^! SIGNS >E ONLY US$ Z REQUIR$ 6%[ ! NEW 4POSI;N4 ,EXAMPLE #CJ.F-A4 #C4 _>_?+.>9-?9-+?-+9 N'.>"+9-<K #CJ.G4 ,! SIGN ,'@> ;2IS (T5 A#CJH US$ 9 ORGAN A3OMPANI;TS Z AN EQUIVAL5T = 8S5ZA P$40 OR "S SIMIL> DIREC;N4 #C.H4 ,9 BOOKS ( HYMN TUNES1 ! MELODY IS F/ GIV5 9 XS 5TIRETY 7PREC$$ 0! 9DIC,N ,'>MEL'_7 Z A GUIDE 6! R1D]1 FOLL[$ 0! -PLETE TEXT 7M>K$ ,'>H'_74 #CJ.I4 ,9 KEYBO>D MUSIC1 P>AGRAPH+ IS "S"TS AC 6! PR9T /AVES & "S"TS AC 6! 3T\R (! MUSIC2 B 9 VOCAL MUSIC1 ? LATT] HAS BE5 ! G5]AL PRACTICE =! B5EFIT ( *OIRMA/]S1 ! P>AGRAPH 2+ USU,Y H1D$ ?US3 7P#AE1 L#C1 B#B47 7,PAGE #AE1 L9E #C1 B> #B47 #CJ.AJ4 ,9 BO? V]TICAL SCORE & B> 0B>1 ! SIGN ,'"1 ;2IS ALW US$ Z ! IN-A3ORD SIGN1 ,'<> ;22+ RES]V$ = M1SURES 9 : "P (! SCORE IS GIV5 ) M1SURE-DIVI.N &! REMA9D] )\T ? DEVICE4 #CJ.D--#CJ.AJ #CEG #CJI ,B>-,BY-,B> #CJ.AA4 ,? ME?OD IS ONLY US$ = TWO- OR ?REE-/AVE 9/RU;TAL SCORES1 S* Z PIANO & ORGAN MUSIC1 OR PIANO -B9$ )A SOLO 9/RU;T1 OR ! \TL9E (A SOLO VOICE "P4 #CJ.AB4 ,! SCORE IS LAID \ HORIZONT,Y1 A M1SURE ( "O "P 2+ FOLL[$ AF AN 9T]V5+ SPACE 0! CORRESPOND+ M1SURE 9 ANO!R "P1 & S ON4 ,! ORD] (! "PS IS F ! L[E/ UPW>D1 & 9T]VALS & IN-A3ORDS >E AL R1D UPW>D4 #CJ.AC4 ,! B> L9E 7,'L_7 IS PLAC$ 2T ! HI<E/ "P 9 "O M1SURE &! L[E/ "P 9 ! FOLL[+ M1SURE1 & X HAS A FREE SPACE ON EI SIDE4 ,! B> L9E FOLL[S E M1SURE (A PIECE 7EV5 ": ! PR9T HAS D\# B>S ) OR )\T DOTS7 EXCEPT ! F9AL "O4 #CJ.AD4 ,! F/ NOTE 9 E M1SURE ( E "P HAS A SPECIAL OCTAVE M>K4 #CJ.AE4 ,! ORD] (! "PS IS %[N 0H&1 FOOT OR O!R SIGNS1 S* Z >VOICE' ;2ETC4 ,^! >E PLAC$ AT ! -M;E;T (! PIECE & >E N RE-M>K$ 9 ! SECOND & SU3E$+ M1SURES UN.S A *ANGE ( 4POSI;N O3URS4 ,EXAMPLE #CJ.AE-A4 .C A#CJI _>_Y9 .>"N++)Y)YED L ^\-7U _W+W0" U L ^(_+ "O++%YZYZFE L _?97U "?+$0U<K ------------------------------------#CAJ #CJ.AF4 ,": "O (! "PS IS OMITT$1 OR ": ! MUSIC ( "O "P C 2 PLAC$ M 3V5I5TLY ) T = ANO!R1 ! H& SIGNS >E M>K$ 9 S* A WAY Z 6MAKE ! 4POSI;N (! MUSIC Q CLE>4 #CJ.AG4 ,MUSIC WRITT5 9 ? ME?OD IS "S"TS P>AGRAPH$ AC 6! 3T\R (! MUSIC1 B G5]AL PRACTICE HAS BE5 6BASE ! P>AGRAPH+ ON ! PR9T /AVES4 #CJ.AH4 ,:5 ALL ! "PS H A M1SURE ( SIL;E1 ONLY "O RE/ IS WRITT51 &=A SIL;E ( M ?AN "O M1SURE1 ! FOLL[+ PROC$URE M/ 2 ADOPT$3 ,EXAMPLE #CJ.AH-A4 #C4 _>_]'(!)DEF .>"[')YZFGH L "]VV .[VV L #BM L _\9VV "]#VV L _?-VV "$0VV<K #CJ.AI4 ,:5 ! SIL;E IS N 9 ALL "PS1 ,B>-BY-B> #CJ.AA-CJ.AI #CEIRE/S >E WRITT5 SEP>ATELY = EA* A#CAJ "P4 ,EXAMPLE #CJ.AI-A4 #B4 ^>^$V _>_$#0V .>"$@C&EDJ L M M "YF%G%H!JDE L M M .$'"I L _:$ "$%/" :%# .?@C2DJ'Y L V^[@C M "S@C L ^S<L _P#0-<L "S<L<K ------------------------------------#CAA #CJ.BJ4 ,! M1SURE REP1T IS TR1T$ 9 EXACTLY ! SAME MANN] Z ! M1SURE RE/1 EXCEPT T ": TWO OR M M1SURES REP1T 9 ALL "PS ! SIGN ,'7 ;2IS FOLL[$ IMMLY 0A FIGURE ) NUM]AL PREFIX4 ,EXAMPLE #CJ.BJ-A4 .C _>'<@T<-H-XV .>_- L 7#C L *@)*- _- L %@(%- _-<K ------------------------------------#CAB ,EXAMPLE #CJ.BJ-B4 <#C8 ^>_D*JE _>"DE*J"1"]'@C .>"['@C L 7 7@C "!.GFGFG L _D*JD "DE<J"1"]F "[('S L ^]' _['0 "]'<K #CJ.BA4 ,": "O "P RE/S = M ?AN A#CAB F\R M1SURES X IS OMITT$4 ,EXAMPLE #CJ.BA-A4 %%#C4 _>_\+*37*"?+ .>_E'^(_:*? L 7 L _>"R' L *"N' L #B L "R'@C L 7 L M .>"\*?'J L ^]]@W- _F'%#%0=" $/#0:+0<K ------------------------------------#CAC #CJ.BB4 ,": A PIECE 2G9S ) ONLY "O "P 7Z 9 A FUGUE71 ! B> L9ES >E OMITT$ UNTIL ! 5D (! M1SURE PREC$+ T 9 : ! SECOND "P 5T]S4 ,EXAMPLE #CJ.BB-A4 .C .>"NO PQ@C ]$:\ "6$EF?.?@C L _>_RS .>.?T[@C<K #CJ.BJ--#CJ.BB #CFA #CAD #CA4 ,,SUB/ITU;N #CAE 7,? SY/EM 0 EXT5SIVELY US$ AT ! 2G9N+ (! PRES5T C5TURY B HAS GRADU,Y FALL5 964FAVOR & 0 F9,Y REJECT$ 0! ,P>IS ,3F];E ( #AIED47 #CA.A4 ,SUB/ITU;N IS A DEVICE US$ 6AVOID ! 3T9UAL M>K+ ( OCTAVES 9 PASSAGES : FREQU5TLY *ANGE _! OCTAVE4 ,! "O 3DI;N = XS USE IS T ! PASSAGE M/ 2 9 NOTES ( EQUAL VALUE4 #CA.B4 ,A PASSAGE WRITT5 9 SUB/ITU;N IS LIMIT$ 6A RANGE ( F\R OCTAVES1 ! OCTAVES 2+ %[N 9 ASC5D+ ORD] F ! L[E/ 0NOTE VALUES1 ?US3 L[E/ OCTAVE--EI<?S L[] MI4LE OCTAVE--HALVES HI<] MI4LE OCTAVE--:OLES HI<E/ OCTAVE--QU>T]S #CA.C ,! SIGN 9DICAT+ ! -M;E;T (A PASSAGE ( SUB/ITU;N O3UPIES ?REE SPACES3 #CA4 ,SUB/ITU;N #CFC A#CAE 7#A7 AN OCTAVE SIGN %[+ ! L[E/ OCTAVE (! PASSAGE2 7#B7 ! SIGN ,'% 7#C7 "O (! VALUE SIGNS =M+ ! SECOND (! SIGNS 9 ,TA# #AC1 %[+ ! VALUE (! NOTES 9 ! PASSAGE4 ,?US ! SIGN ,'^%L ;29DICATES A PASSAGE ( SIXTE5?S ^: L[E/ NOTE IS 9 ! SECOND OCTAVE4 ,EXAMPLE #CA.C-A4 7A7 _%LHR(\\(RH<K 7B7 _("H.H;H(.H"H_H<K ------------------------------------#CAF #CA.D4 ,RE/S ( ANY VALUE C O3UR 9 A PASSAGE ( SUB/ITU;N1 B A NOTE ( ANY O!R VALUE 7OR EV5 (! SAME VALUE DOTT$7 BR+S X 6AN 5D & M/ 2 PREC$$ 0A SPECIAL OCTAVE M>K4 #CA.E4 ,H& SIGNS & EXPRES.N M>KS 7,TA# #AH 7,B77 R5D] ! RE-M>K+ (! SUB/ITU;N SIGN NEC UN.S 7AC 6! PRACTICE ( "S C.TRIES7 !Y >E FOLL[$ 0DOT #C4 #CA.F4 ,/EM SIGNS ( ANY VALUE MAY 2 US$ 9 A PASSAGE ( SUB/ITU;N4 #CB4 ,,! 8,,NOTE-=-NOTE0 #CAG ,,ME?OD #CB.A4 ,? IS A ME?OD 9 : 9T]VALS >E REPLAC$ 0! ACTUAL NOTES : !Y REPRES5T4 ,^! NOTES >E WRITT5 Z EI<?S 9 ! L[] "P (! CELL & >E "!=E DESCRIB$ Z 8SUBNOTES04 ,9 ! FOLL[+ EXAMPLE1 7A7 %[S A *ORD WRITT5 ) 9T]VALS1 7B7 ! SAME *ORD WRITT5 ) SUBNOTES4 ,EXAMPLE #CB.A-A4 7A7 >/L.Y#0-<K 7B7 >/L.Y864<K ,! FOLL[+ RULES & DIREC;NS >E ADAPT$ F ,P>4 #H.B--#H.H.D S9CE 9 G5]AL !Y APPLY 6! 8,NOTE-=-,NOTE0 ME?OD4 #CB.B4 ,! DIREC;N 9 : SUBNOTES >E R1D 7UPW>D OR D[NW>D7 DEP5DS V M* ON ! 9/RU;T = : ! MUSIC IS WRITT5 & ON ! 4POSI;N (! SCORE4 ,": CLEF SIGNS >E US$1 ! TRE# CLEF IMPLIES A D[NW>D R1D+ &! BASS CLEF AN UPW>D R1D+4 #CB4 ,NOTE-=-NOTE #CFE ,EXAMPLE #CB.B-A4 .C A#CAG >/L.?6 W8[7\5\4 [4W7?6<K >#L_?8 $8]4\0$4 ]9:7?8<K ------------------------------------#CAH #CB.C4 ,:5 ! MA9 NOTE IS DOTT$1 X IS N NEC 6PLACE DOTS AF SUBNOTES4 ,EXAMPLE #CB.C-A4 .C >/L.?'6E8F'4=5F'4Z8 ?''6"(6\6V<K #CB.D4 ,:5 ! 4T.E 2T A SUBNOTE &! MA9 NOTE IS GRT] ?AN AN OCTAVE1 ! SUBNOTE M/ H AN OCTAVE M>K4 ,EXAMPLE #CB.D-A4 #C4 >/L.\_0\_9]_0 P'"4<K #CB.E ,! OCTAVE RULES = *ORDS ( M ?AN TWO NOTES >E Z FOLL[S3 #CB.E.A4 ,IF M ?AN "O SUBNOTE FOLL[S ! MA9 NOTE1 NO OCTAVE M>K IS NE$$ S L;G Z ANY TWO ADJAC5T SUBNOTES >E LESS ?AN AN OCTAVE A"P4 ,EXAMPLE #CB.E.A-A4 #C4 A#CAH >/L.\80\89]80 P'84<K ------------------------------------#CAI ,EXAMPLE #CB.E.A-B4 #C4 >/L.\850\469]580 P'484<K #CB.E.B4 ,IF ANY TWO ADJAC5T SUBNOTES >E AN OCTAVE OR M A"P1 ! SECOND SUBNOTE M/ H XS PROP] OCTAVE M>K4 ,EXAMPLE #CB.E.B-A4 #C4 >/L.\5_0\4_9]5_0 P'4"4<K #CB.E.C4 ,IF A SUBNOTE =MS A UNISON )! MA9 NOTE1 X M/ H XS PROP] OCTAVE M>K4 ,EXAMPLE #CB.E.C-A4 #C4 >/L.\.8_0\4_9]5_0 P'.6"4<K ------------------------------------#CBJ #CB.E.D4 ,IF TWO ADJAC5T SUBNOTES =M A UNISON1 ! SECOND M/ H XS PROP] OCTAVE M>K4 7,N4,B4 ,9 ! LA/ TWO *ORDS (! FOLL[+ #CB.C--#CB.E.D #CFGEXAMPLE1 ! 9N] "PS =M AN OCTAVE A#CBJ 9 ! "O CASE &A UNISON 9 ! O!R47 ,EXAMPLE #CB.E.D-A4 #C4 >/L.\80_0\6"49]5"50 P'8"84<K #CB.F4 ,:5 TWO "PS REPRES5T$ 0SUBNOTES CROSS "O ANO!R 9 A *ORD1 ! NOTES : >E1 S 6SP1K1 8\ ( PLACE0 M/ EA* H XS PROP] OCTAVE M>K1 ! WRITT5 ORD] (! "PS REMA9+ UN*ANG$4 ,EXAMPLE #CB.F-A4 #C4 >/L.\850\"4"69]"5"80 P'84"4<K ------------------------------------#CBA #CB.G4 ,! PR9CIPLE ( D\BL+ US$ ) 9T]VALS IS N EMPLOY$ 9 ! 8,NOTE = ,NOTE0 ME?OD EXCEPT 9 PASSAGES ( OCTAVES4 ,"H ! D\BL+ IS %[N 0! REPETI;N (! SUBNOTE AF ! F/ MA9 NOTE (! PASSAGE & XS RE-M>K+ AF ! LA/4 ,EXAMPLE #CB.G-A4 .C >#L^D44EFGHIJH _DJIHGFED4<K #CB.H4 ,9 S* A PASSAGE ! D\B_+ A#CBA NE$ N 2 9T]RUPT$ 0! O3URR;E ( A3ID5TALS : WD NORM,Y 2 M>K$ =! SUBNOTE Z WELL Z =! MA9 NOTE4 ,EXAMPLE #CB.H-A4 <<<#B4 >#L'<^\<88$ <:'<D J<H*^DI9<K ------------------------------------#CBB #CB.I4 ,! MOV+-NOTE SIGN MAY 2 US$ 9 8,NOTE-=-,NOTE0 = V OBVI\S CASES4 ,EXAMPLE #CB.I-A4 .C 7A7 >/L"(6,4 R'6,5,4V<K 7B7 >/L"P4',0Q9',0 &4<K #CB.AJ4 ,! D\# MOV+-NOTE SIGN1 H["E1 M/ N 2 US$ 9 ? ME?OD4 #CB.AA4 ,IF ! MOV+-NOTE SIGN IS EXT5SIVELY US$1 ! OCTAVE RULES = SUBNOTES >E ^? : APPLY 6WRITT5 NOTES 7,P>4 #B.A.A--#B.A.D71 A REV]SAL (! RULE GIV5 9 ,P>4 #H.H.C4 #CB.F--#CB.AA #CFI ,EXAMPLE #CB.AA-A4 <<<#F8 A#CBB >/L.]'7,<.5,"7$'8,.4,*9<K ------------------------------------#CBC #CB.AB4 ,X W 2 SE5 T 8,NOTE-=-,NOTE0 9VOLVES A *ANGE ( M1N+ 9 ! FOLL[+ SIGNS3 4 7#BEF7 ! TURN1 9 XS V>I\S =MS 5 ,5 "5 @5 25 7#BF2 #F1 #BF2 #E1 #BF2 #D1 #BF2 #EF1 #BF7 NOTES 9 SMALL OR L>GE TYPE1 & V>I\S ORNA;TS 6 "6 7#BCE2 #E1 #BCE7 ! TRILL1 MORD5T1 ETC4 7 _7' 7#BCEF2 #DEF1 #BCEF1 #C7 ! REP1T1 & IRREGUL> GR\P+ 8 ,8 "8 ;8 .8 _8 7#BCF2 #F1 #BCF2 #E1 #BCF2 #EF1 #BCF2 #DF1 #BCF2 #DEF1 #BCF2 SEE ,TA# #AH 7,A7 #CB.AC4 ,? DI6ICULTY C 2 MET 9 EI (! FOLL[+ WAYS3 7#A7 ,^! SIGNS MAY 2 SEP>AT$ F ! PREC$+ MUSIC TEXT 0! SIGN ,'- 7#CF7 7N O!RWISE US$ 9 8,NOTE-=-,NOTE0 EXCEPT 7A7 AT ! 2G9N+ (A M1SURE OR (A BRL L9E1 7B7 AF A RE/1 PIANO P$ALL+1 H& OR FOOTSIGNS1 OR M>KS ( EXPRES.N (! A#CBC TYPE GIV5 9 ,TA# #AH 7,B774 7#B7 ,! 9T]VAL SIGNS1 ,'/, +, #, - 7#CF7 ;2& ,'3 7#BE7 ;24PLAC$ 0! 8,NOTE-=-,NOTE0 ME?OD MAY 2 US$ Z FOLL[S3 / ! A3IA3ATURA ,/ ! APPO7IATURA ;/ ! TURN 2T NOTES _/ ! TURN ABV A NOTE + ! REP1T1 REPLAC+ ,'7 7#BCEF7 # ! 9ITIAL SIGN = IRREGUL> GR\P+1 REPLAC+ ,'_ 7#DEF7 3 "3 ;3 7#BE2 #E1 #BE2 #EF1 #BE7 "3L ;3L ! TRILL & MORD5TS - ,- "- ;- .- _- 7#CF2 #F1 #CF2 #E1 #CF2 #EF1 #CF2 #DF1 #CF2 #DEF1 #CF7 /A3ATOS1 A35TS ETC4 ------------------------------------#CBD #CB.AD4 ,! 8,NOTE-=-,NOTE0 ME?OD C OBVI\SLY 2 US$ 9 ALL MUSIC 9 : 9T]VALS WD O!RWISE 2 NE$$1 IRRESPECTIVE (! 4POSI;N (! SCORE4 #CB.AB--#CB.AD #CGA #CB.AE4 ,! FOLL[+ /ATE;T %D 2 A#CBD PLAC$ 9 ! L9E 2L T 3TA9+ ! ME?OD ( 4POSI;N (! SCORE 7SEE ,P>4 #AI.B72 ! NUMB]S #A OR #B 9DICAT+ : (! ALT]NATIVES GIV5 9 ,P>4 #CB.AB IS US$3 7,NOTE-=-,NOTE-#A7 7,NOTE-=-,NOTE-#B7